Visualdistortion a écrit :
Bon je viens de faire un schéma de tout ce que je voudrais que le bouzin de mes rêves, fassent! On peut tout mettre, preamp et tête, et mélanger dans tous les sens et encore à ça il faut rajouter un signal qui peut arriver en stéréo (2 jacks donc) et qu'on peut aussi tordre dans tous les sens.
A mon avis, il n'y a pas plus ultime que ça vu que je pense que l'on peut tout faire! Il manque bien sur tous les contrôles de l'engin! de mixage des volumes, de PAN, etc.
Voilà l'œuvre (modestie quand tu nous tiens)
Soundsculpture Switchblade ?
Bien que je ne sois pas certain qu'il puisse assurer la résistance d'une tête qui lui serait reliée.
A voir, le site est assez détaillé :
http://www.soundsculpture.com/(...)1.htm
Je colle ce passage qui intéressera le sujet, même si cela a déjà été dit.
Citation:
Multiple Amplifier Theory
A basic idea of splitting a guitar signal (traditionally using a "Y" cord) and going into several amplifiers is a staple arrangement of such players as Hendrix, Trower, and many others. The reason it sounds so good is twofold. The first and most obvious reason is that you can use several lower powered amps (such as 50 watt heads) which are more easily overdriven to create a sound that is larger than using a single high powered amp which is not so easily clipped for a given sound pressure level. The other and not so obvious reason is the interaction of the audio wavefronts between speaker cabinets. In a hypothetically ideal situation, the sound coming from one speaker cabinet would be identical to the sound coming from all the others. The result would be a strong sound directly in front of the cabinets and a weaker sound as one moves off center due to the interference of out of phase wavefronts. In the real world, however, each cabinet puts out a sound quite different (different harmonic structure) than its neighbor due to differences in cabinets, speakers, and amplifiers and even its position on the stage. The result is a much more complex interaction between the audio wavefronts and an overall sound of much greater "depth". For those of you who are familiar with a "hologram", the theory is the same. A hologram (when viewed in normal lighting) is nothing but a smoky photo of light and dark circles or "wavefronts". This would be equivalent to one amplifier on stage. When a Laser beam (another wavefront) is passed through a hologram, the two groups of wavefronts interact with each other and the result is a striking three dimensional image appearing out of nowhere and sitting in space. Likewise, when finely tuned sounds (wavefronts created by seasoned players) come out of multiple cabinets, the wavefronts interact and the result is a kind of "surreal" imaging whose shape can be molded into a very pleasing sound simply by "playing" the wavefronts--by moving toward and away from the cabinets, bending until the right "tone" happens, tapping and bending the neck to enhance wavefront variations, subtle "wah" pedal movements to vary the harmonic structure of the wavefronts, and so on.
Attention, c'est cher.
Sinon, tu couples un switchblade à un switcher d'ampli type Skrydstrup ou CAE.
Et là, c'est la totale.
lemgement lemg
