cutonio a écrit :
Il avait quand meme un son bien dégueulasse en 2002
N'est-ce pas ?
D'accord, à titre personnel je n'aime pas le son Diezel, mais ça lui a quand même fait du bien de passer dessus, puis Vox, Marshall, Egnater et toutes les pédales type Keeley Fuzz Head.
Pour la sonorisation, je crois que c'est évoqué. Me demande si son technicien ne dit pas quel micro repique son baffle dans la vidéo Dunlop TV.
Sinon, il y a ça :
http://mixonline.com/live/tour(...)file/
Citation:
Frontman Bellamy designs his own guitars, which are custom-built by Hugh Manson. These masterpieces have lots of built-in effects, which he uses liberally to create the band’s signature sound. And it’s all coming out of one Mills Acoustics cabinet, and Carolan uses
a Royer R-122L paired with an sE Electronics Reflexion filter.
As for his mixing, Carolan keeps things simple. On guitar, he keeps the channels mostly flat and applies only a small amount of compression. To ensure good separation, he keeps levels balanced and uses subtle panning to unlock instruments from the center image. In some instances, he pushes the level of a part just above the listener’s comfort level to make it pop out and give dimension to the mix. Within any Muse song, there are several parts and movements with different feels, so he does make heavy use of automation to make it possible to keep the mix dynamic.
lemgement lemg
