je crois que tu as tres bien resumé ..... avec la modelisation le truc est pris à l'envers de la realité en fait..et tout le monde prie pour trouve LA bonne IR.alors qu'en vrai un bon ampli s'accomode de bcp de hp.le rivera sonne bien sur tout sur la demo , juste une question d'eq...et de grain/dynamique, mais ca reste leger.
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We have actually rehearse very little because when I started playing with the kemper (through a K10) the jaws of the other guitar player (recently converted to Axe Ultra) and of the sound engineer of the studio have hitten the floor contemporary! Then other people was showing up and it has turn in to a Kemper demo session. Nobody could believe it was the green box producing those sounds. The sound engineer has even looked in the back to check where the damn tubes were hiding!
The guitar sound was cutting through like a real amp, the vibe (you know, that kind of midrange frequencies, violin-like, that you feel in the guts), the interaction with the instrument and the feel were all there. It sounds already fantastic through studio monitors, but when you crank the volume through a PA then...wow!
The FX are very good and the range of the controls is enormous, you can radically change the profiles with it (for instance we taken a Marshal lead tone a turn it in to a very clean one, and it was sounding as a Marshall is supposed to).
My pedalboard with the HD500 is going to hit ebay this weekend, a no brainer for me, my dream tone (the Fuchs profile from Peter Fischer) is there plus any other thing I could possibly ever need.
What I like specially is that you do not need any tricks (par.eq, stuck chorus, tube comp, comb filter, custom IRs....name one) to make it sound good. You're good to go in less than 5 min, the rest is just matter of taste.
For me this is definitely the real thing!
Now I have just to hope the release is not going to get delayed...GAAASSSSSSS
