1. il avait une approche du blues tout à fait personnel qui est très difficilement imitable, ou même assimilable
2. voici les sources fender sur son matériel et accordage et capo
3. je conseille le live at japan
4. selon jimmie vaughan l'usage du capo et accordage ouvert est très répandu au texas, une sorte de tradition: clarence gatemouth brown, sam lighting hopkins, alebrt collins et jimmie vaughan (ça fait partie de leur jeu)
voici les sources fender
Guitar: Blonde maple-neck 1966 Fender Telecaster with Gibson double humbucking pickup in the neck position, and a single coil bridge pickup (he primarily used the single coil pickup).
Picking: Plucked strings with right hand thumb and forefinger (popped and snapped).
Tuning: Used open F minor tuning with a capo.
F minor triad tuning: F C F Ab C F
Capo: used on various frets, mostly the ninth, fifth or seventh.
Strings: Fender strings .010, .013, .015, .026, .032, .038
Guitar cable: Used a 150-foot-long cord so he could walk into the audience.
Amp: 1970s Fender Quad Reverb. 100 watt tube amp similar to a Twin Reverb except with four 12-inch speakers instead of two.
Thank heavens the Ampeg doesn't sound like a Deluxe Reverb!