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Le matériel des guitaristes pro(s) - (Sommaire en page 1)

Rappel du dernier message de la page précédente :
lemg
  • lemg
  • Vintage Ultra utilisateur
  • #1815
  • Publié par
    lemg     le 18 Déc 2005, 15:59
bigmouth_strike a écrit :
Indochine: Tournée Alice & June (Bruxelles 17/12/05)

Nicola:
guitares: *Jaguar Noire * Gibson Sg standard rouge * Gibson ES 335
amplis: Vox acc30, cabinet fender (modele inconnue) et je supposes un Line 6 Vetta car j'ai vu le pedalier de controle.

Oli de Sat:
guitares * Jaguar sunburst * Sg standard noire
amplis: Line 6 Vetta combo et aussi un cab marshall a plan coupé.

Boris:
guitares: * telecaster sunburst * Gibson Les Paul Cherry Sunburst
amplis: /// (trop loin)


D'après mes souvenirs (vu à la TV), et ça concerne la dernière tournée, Boris, puisque tel est son prénom, utilisait un vox (un ac-30 sans doute) et peut-être un hiwatt, mais là je ne suis pas sûr.
Niveau effets, il avait un delay line6 (DL-4), ça j'ai reconnu. Aucun mérite, c'est facile, c'est tout vert. Le reste j'ignore. Dans les guitares, il y avait aussi une gretsch.
Quant au sieur Sirkis, il avait aussi une (voire plusieurs) accoustique(s) takamine.
Et rappelons que page 117, tu trouveras quelques-unes des pédales utilisées pour l'enregistrement du dernier album.
lemg
  • lemg
  • Vintage Ultra utilisateur
  • #1816
  • Publié par
    lemg     le 18 Déc 2005, 19:48
MIKE LANDAU

avec JAMES TALOR

Un bon sujet sur HRI
Citation:
i just saw james taylor with mike landau on guitar. Wow, great show. i've seen james taylor with mike landau on guitar several times and this show was the best yet. the sound was perfect & the band was really on tonight. this was the first show of a short one week tour on the east coast. mike used his new suhr classic with the SSC system & his suhr T for one song. i spoke to him & he said he is really digging the SSC system. kudos to john suhr! he played through a pro reverb with a stripped down version pf his usual W/D/W set=up, with no rs-10 or his pedal rack. he had a boss volume pedal, a boss tu-12 tuner, an arion sch-1 chorus and an sd-9 on the floor and he just switched his lexicon mpx1 presets by hand in between songs. if you have a chance to catch on of these shows, do yourself a favor and go.
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  • Invité
Matos de ETHS de Samantha jusqu'a Soma:


• Guitare [Staif]

Accordage : B - F# - B - E - G# - C#

- Accordeur : Korg DTR 1000
- Amplification : JMP-1 Marshall (pré-amp) & Fifty-fifty Mesa Boogie (amp)
- Baffle : Marshall 1960 pan droit
- Controller midi MFC 10 Yamaha

Effets :

- Pédale de volume Morley Pro série
- Wha-Wha Cry Baby Dunlop
- Chorus Small Clone Electro Harmonix
- Phaser Small Stone Russia Electro Harmonix
- Flanger FL-9 Maxon
- Delay DL-4 Line 6
- Tremolo Pulsar Electro Harmonix
- True Bypass Box Banzaï
- Multi effets VF-1 Boss

Guitares :

Les deux sont équipées de micros manche Benedetti et chevalet Seymour Duncan Jeff Beck
- LKV Guitare barython modèle Staif-eths
- Gibson SG special - Customisé LKV diapason rallongé


--------------------------------------------------------------------------------

• Guitare [Greg]

- Accordeur : Korg DTR 1000
- Amplification : Peavy 5150 II
- Baffle : Marshall JCM 900 pan coupé

Effets :

- Pédale de volume Morley optique
- Wha-Wha Vox (V847)
- Chorus Maxon (CS-9 Pro)
- Phaser MXR Phase 100
- Flanger Boss
- Delay Giga delay Boss (DD-20)
- Noise Supressor Boss
- True Bypass Box Banzaï
- Reverb Holy Gray Electro Harmonix

Guitare :

LKV 7 cordes barython modèle Greg-eths


--------------------------------------------------------------------------------

• Samples

ES-1 Korg
SP-303 Boss
MX-606 Behringer


Vu en 2005,ils jouent sur Tête et Cab NOS.
Mister Max
Salut, je replonge actuellement dans une periode Hendrix et je m'interesse donc a son matos.Malheureusement le lien de la page 1 est mortibus donc si quelqun pouvait m'aider un peu...Merci
-=Schecter & Jackson addict=-
lemg
  • lemg
  • Vintage Ultra utilisateur
  • #1819
  • Publié par
    lemg     le 20 Déc 2005, 17:43
GEORGE LYNCH

Matériel récent
lemg
  • lemg
  • Vintage Ultra utilisateur
  • #1820
  • Publié par
    lemg     le 20 Déc 2005, 18:06
BRAD GILLIS

Trouvé sur le forum Plexi Palace, ce n'est pas grand chose mais bon, on fera avec pour le moment :

Citation:
Yes He did in the early Ozzy days. He used a pair of Mesa Boogie MKIIB heads in stereo and put a chorus between the 2 heads. I got that information from Brad Via E-mail a while back. He ahs also used Boogie MKII's IIC+ and MKIII's with nightranger and Im pretty sure he used some Marshalls here and there!


+ une strat rouge et noire avec floyd rose.
lemg
  • lemg
  • Vintage Ultra utilisateur
  • #1821
  • Publié par
    lemg     le 20 Déc 2005, 18:26
JIMI HENDRIX


Au cas où le lien vindrait à décéder, je me permets un copier/coller :

Citation:
Guitars

Jimi Hendrix used probaly hundreds of guitars throughout his very short but amazing life. Most of these guitars were of course, Fender Stratocasters. From 1966 to 1968 Jimi used an assortment of rosewood-neck model and on rare occassion he would use a maple-neck model.

In the Fall of 1968 Jimi acquired two new Strats. The first one was a black maple-neck model. The second Strat Hendrix purchased was a blond-maple neck model. As the book, Jimi Hendrix: Electric Gypsy points out, "these two models remained Jimi's main choice of guitar for the rest of his career."

Although Jimi is most identified with the Fender Stratocaster, he owned and played many other makes of guitars. For example, he owned a '59 Hofner Club 40. Jimi also owned an Epiphone Acoustic, and a '67 Gretsch Corvette. Along with these guitars Jimi owned a Fender Jaguar and a Fender Jazzman.

Towards the beginning of his career, Jimi purchased a Gibson Flying-V. Jimi can be seen playing this guitar in a few pictures from his '67 American tour. In 1970 Jimi purchased a black Flying-V. This guitar was used in live performance for songs such as "Hey Baby(Land of the New Rising Sun"), as well as a few other melodic numbers. A few other Gibson guitars that Hendrix owned included a black Les Paul, and a white SG Custom type 2. Jimi played this SG for his September 9, 1969 appearance on the "Dick Cavett Show."

A guitar that Jimi never owned, yet deserves a mention, is a 1960 12-string-Zemaitis Acoustic. Jimi played this particular guitar on 'Getting My Heart Back Together Again' in the documentary film See My Music Talking. This guitar now hangs in The Rock and Roll Hall of Fame in Cleveland, Ohio.



Strings

Jimi played with Fender Rock 'N' Roll light-gauge strings, using a regular E string for a B and sometimes a tenor A string for a little E (.010, .013, .015, .026, .032, .03. Through the very early parts of his career Jimi tuned his strings to the standard tuning of E, A, D, G, B, E, but sometime after June of 1967 he tuned his guitar down half a step to B-flat, A-flat, and so on. This tuning not only made it easier for Jimi to sing but it also made it easier for him to do string bends, which of course was one of Jimi's trademark techniques.



Amplifiers

Jimi Hendrix is probably best known for using Marshall amps. However, Marshall's were not the only kind of amplifiers he used. Very early in his career Jimi used a Silvertone with a 2 x 12 cabinet.

From 1965 to 1966 Jimi played through Fender amps. He primarily used a Fender Twin Reverb. This amp had two 12 inch J.B. Lansing D120F speakers. Among this amp's features was it Reverb and Tremolo units.

During the first rehearsal sessions of the Jimi Hendrix Experience in 1966, Jimi used a 30-watt Burns amplifier that Chas Chandler had purchased for him.

In 1968 Jimi acquired brand new Fender Dual Showman amps. The speaker cabinets of these new amps featured two 15-inch J.B. Lansing speakers.

Early in 1969 Jimi got his first Marshall amplifiers. He started off with one stack, which comprised one Marshall 100-watt amp and two 4 x 12 speaker cabinets. This eventually was upgraded to three stacks, comprised of three 100-watt amps and six 4 x 12 cabinets.

Other kinds of amps that Jimi used throughout his life included Sound City amps (used for the "Axis Bold as Love" sessions), and Sun's. And finally, Jimi used WEM 4 x 12 column speaker cabinets as a monitoring system during his performances at the Royal Albert Hall, London, 1969, and the Isle of Wight Festival on August 30, 1970).



Effects

During his career Jimi used many effects both in the studio and in live performance. For example, Jimi used many fuzz box units among which were the Arbiter Fuzz Face, the 'Axis' fuzz , and the Mosrite Fuzzrite.

Another effect that Jimi used and has since become synonomous with his name was the Vox wah-wah pedal. Jimi employed this effect on many of his studio recordings such as "Voodoo Chile (slight return)," and "Burning of the Midnight Lamp."

A third type of effect that Jimi used in the studio was a Leslie Speaker cabinet. This effect created the swirling sounds heard on studio tracks such as "Little Wing" and "House Burning Down."

The Uni-Vibe was yet another effect used by Jimi predominantly in live performance. This created a swirling effect quite similiar to the Leslie Speaker cabinet, although it differed in that it had a speed control, unlike the Leslie cabinet. This meant that the swirling effect could be sped up or slowed down. This effect was employed on tracks such as "Hey Baby (The Land of the New Rising Sun)," "Earth Blues," and "Machine Gun."

A fourth effect Jimi used was the Octavia. This device, as noted by "Jimi Hendrix: Electric Gypsy," "gives the effect of a multiple mirror image of the actual sound," but phased inverted. So really it produces a sound that absolutely multiplies all the harmonics up, almost to infinity, so you get an extremely high tone out of it." The Octavia made it first appearance on "Purple Haze."

Finally, there is undoubtedly a plethora of other effects that Jimi used in the studio other than just the ones that were mentioned above but to name and detail all of them would take far too much time. The only thing left to be said is that Jimi Hendrix was enormously gifted and was one of the most brilliant musicians that has ever lived.



Most of the information on this page came from the book "Jimi Hendrix: Electric Gypsy," by Harry Shapiro and Caesar Glebbeek.



Un autre lien, spécifique aux effets
jklm
  • jklm
  • Special Top utilisateur
  • #1822
  • Publié par
    jklm     le 21 Déc 2005, 01:36
Lien supprimé
lemg
  • lemg
  • Vintage Ultra utilisateur
  • #1823
  • Publié par
    lemg     le 21 Déc 2005, 16:16
J'ai retrouvé deux trois trucs dans de vielles revues.

Dans de vieux Guitar World Français (début 90)

VIVIAN CAMPBELL


BRAD GILLIS


Et dans un Guitar World US, toujours du début des années 90

TED NUGENT
lemg
  • lemg
  • Vintage Ultra utilisateur
  • #1824
  • Publié par
    lemg     le 21 Déc 2005, 20:07
CHRIS CAFFERY

(SAVATAGE, TRANS-SIBERIAN ORCHESTRA)

Des photos prises en studio

Paraîtrait que c'est du Line6 avec le TSO.
DojoNico
Quelqu'un aurait des infos sur le matos de Carlos Cavazo, guitariste de Quiet Riot? D'après ce que j'ai pu lire sur le net, il aurait joué sur des jackson...
lemg
  • lemg
  • Vintage Ultra utilisateur
  • #1826
  • Publié par
    lemg     le 24 Déc 2005, 12:18
JOHN SHANKS

C'est un fameux guitariste/producteur, du genre qu'on a tous entendu sans le savoir.
Allez donc visiter un peu la section studio&equipment.
demetan
lemg a écrit :
JOHN SHANKS

C'est un fameux guitariste/producteur, du genre qu'on a tous entendu sans le savoir.
Allez donc visiter un peu la section studio&equipment.



Effectivement ... il a du matos.
Jesus is my son: https://soundcloud.com/jesusismyson
Invité
  • Invité
Korn pour la tournée 2004:

Munky:

GUITARS:
Live:
Ibanez RG-7
Ibanez K-14

Studio:
Ibanez K-7
Ibanez K-14
Ibanez RG-7
Ibanez GA6CE Classical-Nylon Acoustic-Electric
Gibson SG Double-Neck
64' Fender Strat

EFFECTS:
Rocktron Banshee Talk Box
DigiTech Matel Master Distortion
Outbox/Munky's "Secret Weapon" Fuzz/Buzz Box^
Ibanez LF-7 Lo Fi Filter Pedal
Ibanez DE-7 Dealy/Echo
Electro-Harmonix Small Stone Phaser
Electro-Harmonix Small Stone Phaser
Ibanez BC-9 Bi-Mode Chorus
Dunlop UV-1 Uni-Vibe Rotating Speaker Effect^
Boss PS-5 Super Shifter
Boss RV-3 Digital Reverb/Delay
Digitech XP-100 Whammy-Wah (program 04) painted silver
Digitech XP-100 Whammy-Wah (program 13, 18, 21) painted black
Whirlwind Selector A/B Box (switches between clean and dirty)
Whirlwind Selector A/B Box (switches between Mesa/Boogie dirty or Diezel dirty)

AMPS & CABINETS:
Mesa/Boogie Triple Rectifier Head (clean)
Mesa/Boogie Triple Rectifier Head (dirty)
Diezel VH4 Four-Channel Head
3 Mesa/Boogie 4x12 stright-front cabinets loaded with celestion 75-watt speakers
(these cabinets are housed in flight case iso boxes and are mic'd from the inside)
3 Mesa/Boogie 4x12 stright-front cabinets loaded with celestion 75-watt speakers
(these cabinets are suspended under the metal mesh stage and angled upward for monitoring)

ACCESSORIES:
Remote A/B switch attached to Whirlwind Selector A/B Box o Jim O' Tell can switch for Munky while Munky is going crazy
X-Wire XR 905 Digital Wirless Unit
Dunlop Tortex Picks (custom)
Dean Markley Custom gauge strings (for K-7 AND RG-7)
Dean Markley Custom gauge strings (for K-14)
Dean Markley Custom gauge strings [for Fender Strat and Gibson SG Doule Neck(6 string and 12 strings)]
Dean Markley Alchemy Gold Bronze strings (for GA6CE)

Head:

GUITARS:
Live:
Ibanez K7

Studio:
Ibanez K7

EFFECTS (Live Only):
Prescription Electronics Depth Charge
Digitech XP-100 Whammy-Wah (program 13)
Digitech XP-100 Whammy-Wah (program 21)
Boss CE-5 Chorus Ensemble
Boss RV-3 Digital Reverb/Delay
Jim Dunlop UV-1 Uni-Vibe Rotating Speaker Effect*
Whirlwind Selector A/B Box (switches between clean and dirty)
Whirlwind Selector A/B Box (switches between Mesa/Boogie dirty or Diezel Dirty)

AMPS & CABINETS:
Mesa/Boogie Triple Rectifier Head (clean)
Mesa/Boogie Triple Rectifier Head (dirty)
Diezel VH4 Four-Channel Head
3 Mesa/Boogie 4x12 stright-front cabinets loaded with celestion 75-watt speakers
(these cabinets are housed in flight case iso boxes and are mic'd from the inside)
3 Mesa/Boogie 4x12 stright-front cabinets loaded with celestion 75-watt speakers
(these cabinets are suspended under the metal mesh stage and angled upward for monitoring)

ACCESSORIES:
X-Wire XR 905 Digital Wireledd Unit
Jim Dunlop Tortex Standard .73 mm
Dean Markley Custom gauge strings

*= Operated by Carebear under stage
Guitar Tech: Chris "Carebear" Baird

David:

DRUMS:
TAMA Starclassic Maple Custom
Color: Custom Finished in TAMA Rock Chrome
6.5 x 14 Snare Drum with sound focus rings
5.5 x 10 Tom with sound focus rings
6.5 x 12 Tom with sound focus rings
15 x 15 Tom with floor tom legs and sound focus rings
16 x 16 Tom with floor tom legs and sound focus rings
16 x 20 Gong Bass Drum with sound focus rings
18 x 20 Bass Drum with sound focus rings

CYMBALS:
Paiste
Color: Chrome
6" Cup Chime Number 5
15" Signature Heavy Hi-Hat
18" Signature Power Crash
18" Signature Thin China
8" Signature Bell
10" Signature Splash
18" Signature Power Crash
20" Signature Power Ride
15" Signature Heavy Hi-Hat
16" Signature Thin China
20" Signature Power Crash
13" Sound Formula Mega Cup Chime

HARDWARE:
Customized chrome TAMA Rack system with everything chromed including the footboards, clamps, memory locks, and the star-cast mounting system
Iron Cobra HP900 FTW Flexi-Glide Double Pedal
Iron Cobra HP900 F Flexi-Glide Single Pedal (for triggering)
Iron Cobra HH905 Hi-Hat Stand
Titan Series HH95CH Cable Hi-Hat

THRONE:
Custom TAMA ROC 'N

STICKS:
Vater - his own David Silveria DSK signature stick. (thanks to Drumking for the info!)

HEADS:
Remo

PERCUSSION:
Pete Englehart Ribbon Crasher

ELECTRONICS:
D Drum Triggers
Roland Pad

Fieldy:


BASSES:
Live:
Ibanez K-5
Ibanez SR 3005DX

Studio:
Ibanez K-5
Ibanez SR 3005DX

EFFECTS:
Line 6 FM-4 Filter Modeler

AMPS & CABINETS:
Four 600-watt MESA/Boogie Basis M-2000 heads
Four Hughes & Kettner BC 410H 4x10 cabinets

ACCESSORIES:
Shure UHF Wireless System
jklm
  • jklm
  • Special Top utilisateur
  • #1829
  • Publié par
    jklm     le 25 Déc 2005, 17:41
Lien supprimé
secret face
mind s mirror a écrit :
quelqu' un sait quels sont les mics des grattes de Trey Azagthot (Morbid Angel) ?


toujours personne ?
I repeat myself when I'm under stress. I repeat myself when I'm under stress. I repeat myself when I'm under stress. I repeat myself when I'm under stress. I repeat...
Le matériel des guitaristes pro(s) - (Sommaire en page 1)
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