mat_houston a écrit :
Une leçon à retenir de l'ami Roger Nelson pour nous autres GASeux invétérés : il me semble bien qu'il ne jouait qu'avec de "banales" pédales Boss... Pas du genre à participer à la course à la pédale boutique à composants triés...
#LeSonCestDansLesDoigts
oui enfin tout est relatif t'avais un soldano caswell x99 derriere quand meme, ça aide
on notera le "behringer denoiser" :-)
Second photograph shows Prince's view of his pedalboard which is explained as follows:
Left side: Roland FC-100; Boss DS-2 Turbo Overdrive; Boss VB-2 Vibrato; Boss DD-3 Digital Delay; Boss FL-2 Flanger; Boss OC-2 Octave; Boss BD-2 Blues Driver
Right Side: (Dunlop) CryBaby Wah; Roland EV-5 (controls GP-16 whammy); Dunlop Rotovibe
Text explains:
UHF signals from the Artist's four main stage guitars hit a wireless rack equipped with four Sampson UR 5Ds. An Uptown Technologies Flash switcher is used to select between the wireless units. The Digital Music Corp MX-8 is used for MIDI switching, the Roland GP-16 is for whammy effects only and the Zoom 9030 is used for all other effects. An Uptown Great Divide routes signal from the Snyder unit to Flash switcher #2, the GP-16, and the main and backup 9030s. Outputs from these units feed a Behringer Denoiser, a Soldano/caswell preamp and, finally, a splitter box which sends 'clean' and 'dirty' signals to the Mesa/Boogie Strategy 500 and rackmount Soldano SLO 100 respectively.
Onstage Cabinets are straight-front Peavey 5150 4 x 12s loaded with EV speakers. The offstage 'clean dog' and 'dirty dog' Marshall 4 x 12 slant cabinets are miked to feed the front-of-house system. These are loaded with Celestion vintage 30s.