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salut à toutes/tous

quelqu'un saurait il donner les correspondances entre les modèles d'ampli et leurs noms dans cet appareil

merci et amitiés musicales
cdmat76
  • cdmat76
  • Vintage Total utilisateur
  • #2
  • Publié par
    cdmat76
    le 06 Avr 2005, 18:12
Je sais que la réponse traine sur le forum, je l'ai vu passer, en faisant une petite "Rechercher" tu devrais trouver, à moins que quelqu'un n'ai le lien direct?
Moi je dois avouer que je me souviens plus bien... les Vox, c'est facile, les Fender il y le twin reverb (blackface) et le bassman (tweed), les marshall c'est les UK (68=JTM45, JCM 800 pour le 80's, 900 pour le 90's), le recto, ça doit être le double ou triple rectifier Mesa/boogie et le US high gain, c'est le Soldano SL100, après je sais plus trop, j'ai plus l'animal sous la main...
reste preneur de toute info en plus si ya d'autres amateurs éclairés

ciao
sylv1_v
  • sylv1_v
  • Special Total utilisateur
  • #4
  • Publié par
    sylv1_v
    le 07 Avr 2005, 15:03
Modèles amplis:

AC15: Modeled after a 1962 VOX AC15
Amp specs: 1x12", 15 Watts
Valve specs: 1xEF86, 3xECC83s, 1xECC82, 1xEZ81, 2xEL84s

*CONTROL NOTE: The original AC15's Top Cut control works in the
opposite way you'd expect – it "cuts" when you turn it up! You'll be
glad to read that our model of the Top Cut control (the PRESENCE
knob) works in a much more logical fashion – turn it up for
more "sparkle", turn it down for less.

AC15TB: Modeled after a Korg re-issue VOX AC15TB (Top Boost)
Amp specs: 1x12" Celestion "Blue" speaker, 15 Watts
Valve specs: 5xECC83s, 1x5Y3GT, 2xEL84s

*CONTROL NOTE: The original has two tone controls – Treble and Bass.
So, as is the norm, the Valvetronix's TREBLE and BASS controls mimic
their namesakes while the MIDDLE ("neutral" at 12 o'clock) and
PRESENCE ("neutral" when turned off) add further tonal flexibility…
should you want it. To ensure maximum "Voxiness," we've made sure
that the PRESENCE control behaves exactly like the "Top Cut" on the
original AC15 – except in reverse ("off" = cut) to make it more
logical, just like on our AC15 model.

AC30: Modeled after a 1960 VOX AC30
Amp specs: 2x12" Celestion "Blue" speakers, 30 Watts
Valve specs: 4xECC83s, 1xECC82, 1xGZ34, 4xEL84's

*CONTROL NOTE: Once again, our PRESENCE control models the "Top Cut"
on the original AC30 exactly – except in reverse ("off" = cut) to
make it more logical, just like on our AC15 model.

AC30TB: Modeled after a VOX AC30TB (Top Boost)
Amp specs: 2x12" Celestion "Blue" speakers, 30 Watts
Valve specs: 5xECC83s, 1xECC82, 1xGZ34, 4xEL84s

*CONTROL NOTE: Once again, the PRESENCE control of our model acts as
the original's Cut (but in reverse: "off" = cut) while the GAIN,
TREBLE and BASS mimic the original's Volume, Treble and Bass
controls. The MIDDLE is an "extra" with 12 o'clock being
its "neutral" position

NERDY HISTORICAL NOTE: VOX initially called this their "Brilliance
Unit" but it quickly became known as "Top Boost." When Top Boost was
first introduced it was only available as a retrofit assembly. Even
though this modification was not particularly difficult to add, it
was beyond most folk (hey, I dunno about you, but messing around
with electricity is hardly my idea of fun!). Consequently, in 1964,
Top Boost was fitted to the AC30 as standard.

UK Blues: Modeled after a Marshall JTM45
Amp specs: 30 Watt head
Valve specs: 3xECC83's, 1xGZ34, 2xKT66's

UK 70's: Modeled after the High Treble channel on a 1971 Marshall
Plexi
Amp specs: 100 Watt head
Valve specs: 3xECC83's, 4xEL34's

UK 80's: Modeled after a Marshall JCM800 2203
Amp specs: 100 Watt head
Valve specs: 3xECC83's, 4xEL34's

UK 90's: Modeled after a Marshall JCM900 4100
Amp specs: 100 Watt head
Valve specs: 4xECC83's, 4xEL34's

UK Modern: Modeled after a Marshall JCM2000 DSL100
Amp specs: 100 Watt head
Valve specs: 4xECC83's, 4xEL34's

Recto: Modeled after a Mesa Boogie Dual Rectifier
Amp specs: 150 Watt head
Tube specs: 5x12AX7's, 3x5U4G's, 6x6L6's

US Higain: Modeled after a Soldano SLO100
Amp specs: 100 Watt head
Tube specs: 4x12AX7's, 4x6L6's

Boutique OD: Modeled after a Dumble Overdrive Special
Amp specs: 100 Watt head
Tube specs: 3x12AX7's, 4xEL34's

Boutique CL: Modeled after a Dumble Overdrive Special
Amp specs: 100 Watt head
Tube specs: 3x12AX7's, 4x6L6's

Black 2x12: Modeled after a Fender Twin Reverb
Amp specs: 2x12", 85 Watt
Tube specs: 4x12AX7's, 2x12AT7's (ECC81), 4x6L6's

TONAL HINT: BLACK 2x12 is the perfect partner for ACOUSTIC (Acoustic
Guitar Simulator) in the Pedal section.

Tweed 1x12: Modeled after a Fender Tweed Deluxe
Amp specs: 1x12", 18 Watt
Tube specs: 1x12AY7, 2x12AX7's, 1x5Y3GT, 2x6V6's

Original Tone control turned all the way down (off) = BASS on full;
TREBLE and MIDDLE at 9 o'clock (PRESENCE "off".

Original Tone control turned up "full" (on 10) = TREBLE on full;
MIDDLE and BASS at 3 o'clock (PRESENCE "off".

NOTE: As the original doesn't have a Presence control, PRESENCE
is "neutral" when "off," but can be used to add "extra" sparkle and
cut to the model if you so wish.

TONAL HINT: To duplicate this "big sounding" little amp even more
accurately, turn the POWER SELECT to 15W on the AD60VT and 15W x 2
on the AD120VT.

Tweed 4x10: Modeled after a Fender Bassman 5F6-A
Amp specs: 4x10", 35-40 Watts
Tube specs: 1x12AY7, 2x12AX7's, 1xGZ34, 2x5881's

TONAL NOTE: Just like on the original, the Middle and Treble control
of TWEED 4x10 are highly interactive and high settings of the Middle
control automatically add treble to your sound. As a result, you may
want to turn down the Treble control as a counter measure.
Conversely, low Middle settings reduce treble so you might wanna
crank the Treble a little more in such instances.


Et les pédales:

compressor : Jim dunlop MXR M102 dyna Comp
Tube OD : Ibanez Tube screamer TS9
Fat OD roCo Rat
Chorus : Boss CE-2 Chorus Ensemble
Flanger : MXR M117 Flanger
Phaser : MXR M101 Phase 90 (ou MXR Stereo Chorus)
Tremolo : fender twin Reverb
Rotary : Leslie
Tape Echo : echoplex
Compressor - MXR Super Comp
Vox Wah – Vox 847 and Vox 848 Clyde McCoy model
U-Vibe – Univox Uni-Vibe
BLK/ORG Phase - TC Electronic XII B/K Phaser, MXR Phase 90, MXR Phase 100
Treble boost – inspired by Vox VBM-1
Tube OD – Ibanez TS-9 Tubescreamer
Super OD – Boss SD-1 Super Overdrive
Boutique – Klon Centaur
Fat OD – Pro Co Rat
Orange Dist – Boss DS-1 Distortion
Fuzz – Dallas Arbiter Fuzz Face
OctaFuzz - Tycobrahe Octavia
Stereo Chorus - MXR Stereo Chorus

A+
Sylvain
merci beaucoup sylvain

dis moi, tu bosses chez vox ou quoi ? ))

En ce moment sur effet guitare et Vox...