Quand on joue derrière Christina Aguilera, outre le fait qu'on joue justement derrière elle, il y a de multiples avantages. Parmi eux, du chouette matériel. L'exemple de Tariqh Akoni, décrivant lui-même son matériel sur un sujet d'HRI
Citation:
Here are the details:
1. Divided by Thirteen FTR37 input 1 for cleans
2. Divided by Thirteen FTR37 input 2 for semi dirty, and tough tones
3. Blankenship Variplex Channel 1 for crunch
4. Blankenship Variplex Channel 2 for crunch (for single coils)
5. All of this is switched with an Axess switcher (slightly modified by Dave "the man" Friedman)
6. The signal goes to a GCX switcher with the following pedals (not necessarily in order)
a. Demeter Compulator compressor
b. Boss GE 10 EQ (kicked in for solos)
c. Tube Screamer (used for front pickup for strat leads)
d. Fulltone OCD (used for low volume/high gain, and "Beatlesy" stuff
e. Line 6 Mod Pro for time synced modulation stuff
7. Then the signal goes to the amps
8. The amps are mic'd and go through the Aphex mic pre
9. The Aphex signal goes through the Eclipse and then DI to the board 100% wet
As a result, the FOH uses the Shure KSM44 and SM57 blended for the Dry tone, and my stereo effected signal for the Wet tone.
