Saddakoh a écrit :
Perso j'ai toujours eu vent de la version que Jones voulait EVH, il est venu et l'a posé en une prise.
Il semblerait que ce soit ça oui. Assez drôle comme il raconte ça dans cette interview d'ailleurs
https://edition.cnn.com/2012/1(...).html
Van Halen was a surprise guest on "Beat It," the album's third single. His blazing guitar solo lasted all of 20 seconds and took half an hour to record. He did it for free, as a favor to producer Quincy Jones, while the rest of his Van Halen bandmates were out of town.
"I said to myself, 'Who is going to know that I played on this kid's record, right? Nobody's going to find out.' Wrong!" he laughs. "Big-time wrong. It ended up being Record of the Year."
The Rock and Roll Hall of Famer recently revealed to CNN what went on behind-the-scenes of his iconic collaboration with the King of Pop.
CNN: When Quincy rang you up, you thought it was a crank call.
Eddie Van Halen: I went off on him. I went, "What do you want, you f-ing so-and-so!" And he goes, "Is this Eddie?" I said, "Yeah, what the hell do you want?" "This is Quincy." I'm thinking to myself, "I don't know anyone named Quincy." He goes, "Quincy Jones, man." I went, "Ohhh, sorry!" (Laughs)
I asked, "What can I do for you?" And he said, "How would you like to come down and play on Michael Jackson's new record?" And I'm thinking to myself, "OK, 'ABC, 1, 2, 3' and me. How's that going to work?"
I still wasn't 100% sure it was him. I said, "I'll tell you what. I'll meet you at your studio tomorrow." And lo and behold, when I get there, there's Quincy, there's Michael Jackson and there's engineers. They're makin' records!
CNN: Did Quincy give you any direction about what he wanted you to do?
Van Halen: Michael left to go across the hall to do some children's speaking record. I think it was "E.T." or something. So I asked Quincy, "What do you want me to do?" And he goes, "Whatever you want to do." And I go, "Be careful when you say that. If you know anything about me, be careful when you say, "Do anything you want!"
I listened to the song, and I immediately go, "Can I change some parts?" I turned to the engineer and I go, "OK, from the breakdown, chop in this part, go to this piece, pre-chorus, to the chorus, out." Took him maybe 10 minutes to put it together. And I proceeded to improvise two solos over it.
I was just finishing the second solo when Michael walked in. And you know artists are kind of crazy people. We're all a little bit strange. I didn't know how he would react to what I was doing. So I warned him before he listened. I said, "Look, I changed the middle section of your song."
Now in my mind, he's either going to have his bodyguards kick me out for butchering his song, or he's going to like it. And so he gave it a listen, and he turned to me and went, "Wow, thank you so much for having the passion to not just come in and blaze a solo, but to actually care about the song, and make it better."
He was this musical genius with this childlike innocence. He was such a professional, and such a sweetheart.