Nouveau Digitech RP500

Hello,

Digitech sort un nouveau multi-fx, le RP500.

Petite photo de la petite bête:



Bon point pour ce multifx, la section simulation d'ampli - cabinet est complètement "bypassable" ce qui peut transformer le RP500 en un simple pedalboard.

d'après la réponse que je viens de recevoir de lapedale.fr, l'arrivée du RP500 est prévue pour la mi-mai.

voici les caractéristiques reprises directement du site de Digitech.

Features
Effect switching system offers control over internal stompboxes and effects
Exclusive Pedalboard mode changes the RP500 into 5 individual stompboxes
and effects
Amp/Cabinet Bypass defeats internal amp and cabinet effects in all presets
40 Tone and 40 Effects Libraries
200 presets (100 factory, 100 user)
Over 125 effects including stompboxes, choruses, delays, amps and cabinets
Up to 5 seconds of delay time
24-bit 44.1kHz sample rate
Heavy-duty metal switches for stompbox response
Bright LEDs display program status and effect on / off
Large 10 character LED display for preset name, bank name and tuner
Built-in chromatic Tuner
Independent XLR Left and Right Outputs with ground lift
Independent 1/4" Left and Right Outputs
Amp / Mixer switch to engage speaker cabinet
Stereo 1/8" headphone output
Stereo 1/8" CD/MP3 Input
Built-in expression pedal controls the RP500’s internal wahs, volume, Whammy™ and other parameters
All metal construction
Cubase LE4 Music Production Software included
X-Edit Librarian Software included
2 x 2 USB audio streaming
Power supply included

Amps
57 CHAMP Based on a '57 Fender® Tweed Champ®
57 DELUXE Based on a '57 Fender® Tweed Deluxe™
59 BASSMAN Based on a '59 Fender® Tweed Bassman®
62 BROWN BASSMAN Based on a '62 Fender® Brownface Bassman®
65 TWIN REVERB Based on a '65 Fender® Blackface Twin Reverb®
65 REVERB (Based on a '65 Fender Blackface Deluxe Reverb®
65 JTM-45 (Based on a '65 Marshall® JTM-45
68 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt Super Lead (plexi)
68 JUMP PANEL Based on a '68 Marshall Jump Panel
77 MASTER VOLUME Based on a '77 Marshall Master Volume
83 JCM800 Based on an '83 Marshall JCM800
93 JCM900 Based on a '93 Marshall JCM900
01 JCM2000 Based on an '01 Marshall JCM2000 (Solo Channel)
62 AC15 Based on a '62 Vox® AC15
63 AC30 TOP BOOST Based on a '63 Vox AC30 Top Boost
69 HIGH WATTAGE Based on a '69 Hiwatt® Custom 100 DR103
81 MARK IIC Based on an '81 Mesa Boogie® Mark II C
01 DUAL RECTIFIED Based on an '01 Mesa Boogie Dual Rectifier
MARK 4 Based on an '93 Mesa Boogie Mark IV
TRIPLE RECTIFIED Based on an '01 Mesa Boogie Triple Rectifier
99 LEGACY VL-100 Based on a Carvin® Legacy VL-100
96 MATCH HC-30 Based on a '96 MatchlessTM HC30
88 SLO-100 Based on an '88 Soldano SLO-100
GA-40 Based on a Gibson® GA-40
5150 II Based on a Peavey® 5150® II
JAZZ COMBO Based on a Roland® JC-120
SOLAR 100S Based on a Sunn® 100S
HT-100 Based on a Randall® HT-100
OJ 120 Based on a Orange™ OR 120
SUPER G Based on a Laney™ Supergroup
DIGITECH SOLO DigiTech® Solo
DIGITECH METAL DigiTech Metal
DIGITECH BRIGHT CLEAN DigiTech Bright Clean
DIGITECH CHUNK DigiTech Chunk
DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube
DIGITECH CRUNCH DigiTech Crunch
DIGITECH BLUES DigiTech Blues
DIGITECH FUZZ DigiTech Fuzz
DIGITECH SPANK DigiTech Spank
DIGITECH HIGH GAIN DigiTech High Gain
DIGITECH MONSTER - Maxed out gain
DIGITECH “TWEEDFACE” – Tweed preamp w/Blackface poweramp
DIGITECH “BLACKBASS” – ’65 Blackface preamp w/ Bassman poweramp
DIGITECH STONERROCK – Thick, sludgy distorted amp tone
DIGITECH DARKMETAL – Responsive, tight metal tone
DIGITECH TRANSISTOR – Solid state transistor amp sound
DIGITECH BROWNSOUND – Hot rodded 80’s stack tone
DIGITECH MOSH – Chunky metal tone with just the right amount of sizzle
2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube
2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube
DIRECT No amp model
DREADAUGHT ACOUSTIC
JUMBO ACOUSTIC

Cabinets
CHAMP 1X8 Based on a 1x8 '57 Fender® Tweed Champ®
DELUXE 1X12 Based on a 1x12 '57 Fender Tweed Deluxe®
DELUXE REVERB 1X12 Based on a 1x12 '65 Fender Blackface Deluxe Reverb
BRITISH 1X12 Based on a 1x12 '62 Vox® AC15 w/20W Vox Speaker
BLONDE 2X12 Based on a 2x12 '57 Fender Blonde Bassman®
TWIN 2X12 Based on a 2x12 '65 Fender Blackface Twin Reverb®
BRITISH 2X12 Based on a 2x12 '63 Vox® AC0 Top Boost w/ Jensen® Blue Backs
BASSMAN 4X10 Based on a 4x10 '59 Fender Tweed Bassman®
BRITISH 4X12 Based on a 4x12 Marshall® 1969 Straight w/ Celestion® G12-T70
GREENBACK 4X12 Based on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backs
FANE 4X12 Based on a 4x12 Hiwatt® Custom w/ Fane Speakers
BOUTIQUE 4X12 Based on a 4x12 '96 VHT® Slant w/ Celestion Vintage 30’s
VINTAGE 4X12 Based on a 4x12 Johnson® Straight w/ Celestion Vintage 30’s
DIGITECH SOLO 4X12 4x12 DigiTech® Solo
DIGITECH BRIGHT 2X12 2x12 DigiTech Bright
DIGITECH METAL 4X12 4x12 DigiTech Metal
DIGITECH ROCK 4X12 4x12 DigiTech Rock
DIGITECH ALT 4X12 4x12 DigiTech Alt Rock
DIGITECH VINTAGE 4X12 4x12 DigiTech Vintage
DIGITECH CHUNK 4X12 4x12 DigiTech Chunk
DIGITECH SPANK 4X12 4x12 DigiTech Spank
DIGITECH SPEAKER COMP 4x12 DigiTech Speaker Compensation
DIRECT No cabinet model

Distortions
SCREAMER (Based on an Ibanez® TS-9)
TS 808 (Based on an Ibanez TS-808 Tube Screamer)
SPARKDRIVE (Based on a Voodoo® Lab Sparkle Drive®)
OD OVERDRIVE (Based on a Guyatone® Overdrive OD-2)
DOD 250 (Based on a DOD® 250 Overdrive/Preamp)
RODENT (Based on a Pro Co RAT™)
MX DISTORTION (Based on an MXR® Distortion +)
DS (Based on a Boss® DS-1™ Distortion)
GRUNGE (DigiTech® Grunge®)
ZONE (Based on a Boss MT-2 Metal Zone®)
DEATH METAL (DigiTech Death Metal™)
GONKULATOR (Based on a DOD® Gonkulator Ring Modulator)
8TAVIA (Based on a Roger Mayer Octavia™)
FUZZLATOR (Based on a Demeter Fuzzulator)
CLASSIC FUZZ (Based on a DOD Classic Fuzz)
FUZZY FACE (Based on an Arbiter® Fuzz Face™)
BIG PI (Based on an Electro-Harmonix® Big Muff Pi®)
REDLINE (DigiTech® Redline Overdrive)

Effects
Wahs:
DigiTech® Wah
Cry Wah Based on a Dunlop® Cry Baby™ Wah
Clyde Wah Based on a Vox® Clyde McCoy™ Wah

Compressors:
DigiTech® Compressor
CS Compressor Based on an Boss® CS-2 Compressor/Sustainer
Dyna Comp Based on an MXR® Dynacomp™

Noise Gate:
DigiTech® Silencer™ Noise Gate
DigiTech Auto Swell Gate

EQ:
3-band semi-parametric EQ

Chorus Stompbox Models:
DigiTech® Dual Chorus
DigiTech Multi-Chorus
DigiTech Glistening Chorus
CE Chorus based on a Boss® CE-2 Chorus
TC Chorus based on a TC Electronics® Chorus

Flanger Models:
DigiTech® Flanger
DigiTech Triggered Flanger
MX Flanger based on MXR® Flanger
EH Flanger based on Electro Harmonix® Electric Mistress™
AD Flanger based on ADA™ Flanger

Phaser Models:
DigiTech® Phaser
MX Phaser based on MXR® Phase 100
EH Phaser based on Electro Harmonix® Small Stone™

Pitch Models:
DigiTech® Whammy™
DigiTech® Pitch Shift
DigiTech® Detune
DigiTech® Harmony Pitch
Octaver based on a Boss® OC-2 Octaver™

Vibrato / Rotary Models:
DigiTech® Vibrato
DigiTech® Rotary
DigiTech® Vibro / Pan
Unovibe based on a Unicord Uni-Vibe™

Tremolo Models:
DigiTech® Tremolo
DigiTech® Panner
DigiTech ScatterTrem – Dual tremolo effect
Opto Tremolo based on a Fender® Opto Tremolo™
Bias Tremolo based on a Vox® Bias Tremolo

Envelope / Special Models:
DigiTech® Auto Yah™
DigiTech® YaYa™
DigiTech® Synth Talk™
DigiTech® Step Filter
DigiTech® Sample & Hold
DOD FX25 based on DOD® FX25 Envelope Filter

Delays:
Digital Delay
Analog Delay
Pong Delay
Modulated Delay
Tape Delay
Reverse Delay
DM Analog Delay based on Boss® DM2 Analog Delay
Echo Plex based on a Maestro EP-1 Tube Echoplex

Reverbs:
Lexicon® Ambience
Lexicon® Hall
Lexicon® Room
Lexicon® Studio
Spring based on a Fender® Twin Reverb™
EMT240 based on an EMT® 240 Plate Reverb

Voici un petit lien vers les démos officielles qui comme de bien entendu, valent ce qu'elles valent...

http://www.digitech.com/produc(...)o.php

Ce pédalier devrait avoir un succès fou vu que la puce qui se trouve à l'intérieur est la même que celle du GSP et que donc les simus seront forcément de grande qualité.

A suivre de près pour ceux qui recherche une solution tout en un dans un petit pédalier...

Oui bon, sauf que le GPS en a 2, ça ne doit donc pas sonner exactement pareil.

oui ben heureusement pour ceux qui ont acheté le GSP hein ... mais j'suis certain que ca va sonner, et beaucoup mieux qu'un autre pédalier populaire dont je tairai le nom

C'est kikif, j'ai déjà essayer le RP350 et celui de la concurrence que tu tais le nom (que j'ai fini par prendre pour certaines raisons)

J'aurais bien voulu pendre le GSP (pour certaines raisons), mais c'était hors budget

Argh mais qu'est-ce qu'ils attendent pour mettre toutes ces simulation sur le GSP ?

A ton avis

Bon, plus sérieusement, vous pensez que ce multifx vaut la peine ? le rapport qualité prix a l'air sympa a priori...

Ben oui mais bon, merde quoi. S'il faut attendre que le RP500 ait atteint un niveau de maturité suffisant pour qu'ils veuillent bien mettre à jour le GSP..

Je crois que c'est avant tout une question de segment et de marketing, on retrouve ça chez Line6, champion du monde dans cet exercice

le rp 500 serait un concurrant du pod??? ou pas?

Pas vraiment non. Les possibilités non franchement rien à voir, pas plus que la tranche tarifaire.

bah en tout cas il a l'air d'envoyer du bois (même si c'est pas le must ^^)

Attention, j'ai pas dit que c'est mauvais, loin de là cette idée, ce sont de très bons multi.

Mais ils ne font pas jeu égale en possibilités et en prix avec Line 6, c'est tout