COUNTING CROWS
Ce lien
http://onstagemag.com/ar/perfo(...)road/ d'où l'on tire :
Dan Vickrey-lead guitar, background vocals Amps: 1959 tweed twin, 1960s Silvertone Twin Twelve. Effects: Bradshaw custom audio rack with 128 presets for amp/channel switching and effects looping. Pedals: 1960s NU wah/fuzz pedals (2), Zvex Fuzz Factory, Zvex Super Hard On, Hughes and Kettner Rotosphere, Electro Harmonix Micro Synthesizer, Danelectro delay, Boss PN-2 Tremolo/Pan, Boss CS-3 Compressor/Sustainor, Ibanez Tube Screamer, DOD Bi-Fet Amp. Guitars: 1955 Fender Esquire, 1991 Fender Telecaster Standard, 1999 Fender Telecaster Custom w/bender, 1972 Fender Telecaster, 1997 Fender Stratocaster, 1978 Gibson Les Paul Standard, 1960s Eko 12-string, 1994 Santa Cruz OM acoustic, Deering 6-string banjo. In-ear monitor: Shure PSM 700. Vocal mic: Shure Beta 58A.
Matt Malley-bass, background vocals Amp: Ampeg Reissue B-15 w/extension cabinet. Basses: 1961 Fender Jazz, 1999 Fender Jazz/P Bass, 1990s Fretless Musicman Sabre, Ampeg Baby Bass. In-ear monitor: Shure PSM 700. Misc.: Samson UR-5D wireless, Demeter Tube DI. Vocal mic: Shure Beta 58A.
Charlie Gillingham-keyboards, background vocals Keyboards: Hammond B3 w/Leslie 122 cabinet (set off stage in isolation case), Roland A-33 keyboard MIDI controller, Yamaha P300 (for piano). Effects: Echoplex (Tube). Samplers: Emu 6400, Emu 64, T C Electronic Fireworks, Glyph Jaz drive, Glyph CD-ROM, Dynacord Dn-22 Leslie Effect, Brent Averill 10 Channel Mixer. Accordion: Giustozzi. Guitar: 1990s Martin 000-16 (tuned down 1/2 step). In-ear monitor: Shure PSM 700. Vocal mic: Shure Beta 58A.
Adam Duritz-lead vocals, piano Vocal mic: Shure Beta 58A. In-ear monitor: Shure PSM 700 through Summit Tube EQ and Lexicon PCM-80 reverb. Piano: 6' empty piano shell with Yamaha P300 keyboard.
David Bryson-guitar, background vocals Amps: Matchless DC-30, 1971 Marshall Bluesbreaker Combo. Effects: Custom-made pedal board with amp switching, MXR Dyna Comp, MXR Micro Amp, Rat, Vox Wah, DOD Digital Delay, Whirlwind Selector Boxes (3), Boss PN-2 Tremolo/Pan, Boss DM-2 Analog Delay, Boss LN-2 Loop Selector, Boss TU-12 tuner. Electric guitars: 1956 Gibson Les Paul Jr., 1963 Gibson SG Jr., 1956 Gibson Les Paul TV Special, 1966 Rickenbacker 360/12, 1967 Epiphone Riviera 12-string, 1995 Gretch Tennesee Rose, 1965 Fender Jazz Master (strung like a 4-string octave bass). Acoustic guitars: 1960 Gibson LG2, 1965 Gibson B25, 1994 National Style N Resonator, 1994 Martin 000-16. Misc.: Pendulum Pre-Amps (for acoustic guitars). Vocal mic: Shure Beta 58A.
Ben Mize-drums, background vocals Drums: Ludwig Vintage Reissue green sparkle: 12" x 9" tom, 16" x 14" floor, 16" x 16" floor, 24" x 16" kick. Snares: Ludwig 6" chrome, Ludwig 5" chrome, Ludwig 6" Black Beauty. Cymbals: Zildjian. Vocal mic: Shure Beta 58A.
David Immergluck-mandolin, pedal steel, guitar, bass, background vocals Amp: 1971 Fender Vibralux. Effects (guitar): MXR Envelope Filter, Ibanez Analog Delay, Vox Wah, ADA Flanger, Xx Distortion. Effects (pedal steel): Ibanez Analog Delay, DOD Distortion, volume pedal. Guitars: 1963 Gibson Firebird I, 1963 Gibson SG Standard, 1996 Gibson L 00 acoustic, 1975 Travis Bean, 1960s Silvertone (strung like a baritone). Mandolins: 1916 Gibson A-1, 1917 Gibson A-4, Kentucky electric 4-string, Sigma 8-String Electric. Pedal steel: Fender 8-String. Bass: Fender P-Bass Standard. Misc.: Fishman Pre Amps (2). Vocal mic: Shure Beta 58A.
