Jveux pas avoir l'air de juger, mais blablater sans avoir fait de recherches c'est pas un ptit peu couillon?
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Rick uses two 4x12" 8 ohm Marshall cabinets, a 100 watt JCM 800 Lead Series amp and sometimes a JCM 900. For effects, Rick also uses a Roland GP8 signal processor, which has three different chorus/flange settings and three overdrive settings.
He also uses a Vox AC30 which is fed out to the front system and mixed with the Marshalls.
Pour les anglophobes: Parfitt envoie son signal guitare à la fois sur les vox AC30, des JCM800, et parfois un 900. les effets c'est juste un roland GP8.
Et oui, tous les baffles sont (étaient) branchés:
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Why did you lower the amp stacks on recent tour and replace them with a small stage?
We had horrendous problems with the stage volume when we used the large stacks. Everyone wanted to get a kick from their stacks. Marshall built me an amp that went to 11, sounding very like Spinal Tap, and it got so horrendously loud that the sound man couldn't mic the cabinets properly. We felt the audience was suffering as we were too loud on stage.
We changed to in-ear monitoring. This increased the sightlines and you can turn the volume down on stage. Since you have your own mix you can have it set to whatever you want, and hopefully the sound for the audience is more clear and more colourful. Consequently, when we started to use this system we didn't need to lug around the high stacks, which require an extra trailer. The mic lines have always been the same, about 4-5 feet from the stage. I think we have improved the sound quality for both ourselves and the audience.
