Le matériel des guitaristes pro(s) - (Sommaire en page 1)

Salut, je cherche sur quelle guitare a joué Ike turner sur lalbum "rock me baby"

je suis pas tres bon a ce jeu la mais jaurai dis une tele ou une gib en P90... le tout ds un ampli en clair.

jai trouve ca ici (A VOIR !!!)

http://www.messyoptics.com/bir(...).html

BOB MOULD

Matériel actuel

1987 Fender Strat Plus
MXR Distortion+
Danelectro Fish & Chips
Roland JC-120 amp head, powering Marshall slant 4x12 cabinet
Top Hat Emplexador amp head, powering Sonic slant 4x12 cabinet

Pour les fans de métal Français,voila le matos actuel de Tripod.

Quelqu'un a ds infos sur le matos de Karl Logan de Manowar ? Je craque sur le son de sa gratte :/

Si qqn trouve :Le matos du guitariste de Marcel Et Son Orchestre!!!!!

Chapeau pour ce super topic

J'ai trouvé sur HRI un lien parlant du gigantour bien intéressant. Le gigantour c'est une tournée cet été aux USA avec entre autres megadeth, fear factory, dream theater... Les photos sont donc récentes.

Et les photos

John Petrucci (Dream Theater)

Peu de différences avec le rack de la tournée train of thoughts


Dave Mustaine - Megadeth

vraiment génial ce topic !!

Juste par curiosité, quelqu'un sait d'ou provient la disto d'andreas kisser pendant la période chaos AD? du triaxis?

merci !

et pendant que j'y suis le matos de Mastodon c'est possible ???

SYSTEM OF A DOWN

Daron Malakian - 2005

J'ai trouvé ça sur le forum de guitargeek :

"He uses a shure wireless system through a switcher, so that he can switch guitars, then it goes into a MIDI system that switches the heads from the divided by 13 cleanamp to the dirty Marshall Plexihead. Then theres a pedalboard that goes through the loop with a delay (Line 6), a flanger modulation, and a wah pedal (Fulltone)." Kevin Zazzara, Daron's guitar tech.

J'ai trouvé ces photos, mais c'est difficile de reconnaitre les pédales.
En guitare il me semble qu'il possède une Telecaster et une Gibson Les Paul.
Coté ampli il y a un fender twin reverb mais à cote je sèche...

TORTOISE

Infos glanées sur ce forum
Certaines ont déjà été postées, j'ai mis l'intégralité, comme ça, une envie quoi !

"Parker, here.

I'll try and fill this is as best as I can.

This is what we use when we play live.

Vibraphone is made by Deagan, modified with a pickup system, so it can be directly connected to a sound source. Vibrato is controlled via Big Briar Ring Mod w/expression pedal.

Buchla Marimba Lumina mallet midi controller handles marimba sounds and a few other samples.

Guitars: 81 Gibson ES-335 (Parker)
62 Fender Jazzmaster (McCombs)

Basses : 70s Fender Telecaster Bass (McCombs)
: 60s Fender Precision Bass (Bitney)
: 60s Fender Jazz Bass (Parker)
: 60s Fender Bass VI (McCombs)

Amps : Fender Twin '65 Blackface Reissue (McCombs)
: Gallien-Krueger Bass Amp (McCombs)
: SWR 8x10 Cabinet (McCombs)
: SWR Bass Amp (Bitney)
: SWR 4x10 cabinet (Bitney)
: Music Man 2x10 75-watt guitar combo amp (Parker)
: Ashdown Electric Blue Bass Amp (Parker)
: SWR 4x10 cabinet (Parker)

Drums & cymbals I'm not so sure about, I'll tell you what I know. Maybe someone else can elaborate further.

John Herndon's drums are by Slingerland, only size I know is bass drum is a 20". Not sure what kind of drum set McEntire is using, but his snare is by Dunnett. Some cymbals are Zildjian Constantinople series, some are K's, one is a Paiste flat ride. Not sure about hardware.

Three (or four?) keyboard midi controllers of various make.

Nord Electro
Hohner Melodica

Two Macintosh powerbooks containing software which allows the triggering of various samples.

Various hand percussion including shakers and tambourines

I use a Boss RV-3 Delay Reverb Pedal, A Big Briar Ring Modulator with expression pedal, a Crowther Hotcake distortion pedal, and a DOD FX-17 wah/volume pedal, and a Morley A/B box to rout the signal between guitar and bass amps.

McCombs uses a modified Crybaby wah pedal, ProCo Rat distortion pedal, Big Briar analog delay and lowpass filter pedals, Full Tone distortion, Crowther Prunes & Custard distortion, Ernie ball volume pedal, and Morley A/B boxes, plus a bunch of other stuff I'm not sure about.

Hope this helps.
jp"



Et histoire de mettre un peu plus de neuf dans ce post :

QUEENS OF THE STONE AGE

Et oui encore.
Cette fois-ci, les effets de Josh Homme.

lé pro utulisent des racks d'effets et des pedales. pourquoi? les racks ne sont-ils pa des pedales ultraperformants ? peut être qu'ils ne les utilisent pas ensemble. au fait ce topic est impresionnant! bravo!

Pour QOSTA:

Fulltone Clyde Wah
Boss GE7 EQ
Ernie ball Volume pedal
Et les autres?
Y a pas une Maxon,la petite verte?

J'ai trouvé les photos sur ce topic

On y trouve pour les effets (page 3) ceci :

- Matchless Hotbox
- SIB! Echodrive (2x)
- Ernie Ball Volume pedal
- Fulltone Ultimate Octave
- Fulltone Clyde wah
- Maestro Phaser
- Boss SD-1
- Lovetone Meatball
- Way Huge Aqua Puss
- A floor tuner (I've seen him using a Korg, so, Yeah.)
- Boss GE-7
- Dunlop Crybaby Q-Zone

Il semble qu'elle ne soit pas toutes sur les photos, en particulier la sd-1, l'aqua-puss et la meatball.

Et on peut aussi lire ça :

"At the show in Hartford CT, Josh was seen by myself and my brother (both avid fans of his pedal board) using a Smart Peoples Factory Red Threat Distortion/Fuzz box and a Smart Peoples Factory Green Line Overdrive Pedal. Also there was a EHX Small Stone adjacent to his pedal board, possibly for the piano part in "Someone's in the Wolf." He also was plugged into his Ampeg VT-22 and V-4, with the cabs that have already been named. On top of the VT-22 was a Fender Black Face Bassman, circa (I'd say) about 1976 or 1977 because it had a Master Volume and 3 band-eq for the guitar channel (which he was also plugged into) along with being plugged into the bass channel when using his Epiphone Dot, and he also used what looked to be an Ampeg Scrambler sitting ontop of his V-4. He used his Maton's, his Ovation's (1 black, and 1 Cherry Burst) his Epiphone Dot, and not Teisco, but it looked more like an EKO or even an Eastwood reissue guitar. The headstock was really scratched up and the lighting was bad around that area, so I couldn't get a good view of it (though I did spy Brody and a good looking friend of hers watching from that area.) On "burn the Witch" he used an old Ovation Hollow-Body Bass (has a 335 looking body, but a clearly Ovation shaped headstock) and had what looked to be a vintage EHX Screaming Tree pickup booster plugged into it (I wonder if EHX knew of the band at the point in time when they developed it.) The show was pretty badass, and since it was all the way back in January, I'm trying hard to remember anything. If I do, I'll post back here again."

J'aurais voulu en savoir plus long sur le matos de cannibal corpse quelqu'un pourrait m'aider ou me donner des liens parce que j'ai rien trouvé sur google.