voici 4 nouvelles pédales :
qu'en pensez-vous
personellement ça me semble pas mal (the hog est une sorte de maxi synhtesizer, j'ai le micro qui est génial; le multi track midi et tout me semble assez compététif quand à la métal muff c'est alléchant un fuzz genre métal (expandora bis
) RÉÉDITION de la littl big muff
La Metal Big Muff d'Electro-Harmonix est un pédale de Métal, comme son nom l'indique, mais elle est également dotée de :
Réglages :
- égalisation 3 bandes dont un contrôle de Mid pour le contour
- Bass de +14 dB centré sur 120 Hz
- Mid de +15 dB centré autour de 300 Hz
- Treble de +10 dB centré autour de 1,2 kHz
- Dist de +10 dB de gain
- Vol de +18 dB de gain
- Top Boost permettant de jouer sur les fréquences entre 3,5 kHz et 4,3 kHz.
Looper analogique avec 4 pistes numériques permettant la lecture simultanée de plusieurs boucles mono ou stéréo.
44,1 KHz.
16 bits.
480 secondes sur chaque canal avec une carte de 256 Mo (extensible jusqu'à 2 Go).
MIDI clock externe In/Out.
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The Electro-Harmonix HOG is a totally polyphonic guitar synthesizer, giving the user complete control of up to 10 interval pitches. Musicians can unveil an entirely new tone potential with anything from extreme sub bass to powerful multi-octave chords, including fifth and third intervals. Dedicated Filtering and envelope control, with numerous setup options, make the HOG a must-have performance instrument. And NO special pickup is required and NO glitches are created.
Features include:
# 10 intervals of pitch can be mixed by using 10 surface faders, which may then be played polyphonically with perfect tracking:
· 1 octaves down · 1 octave + a perfect fifth
· 2 octaves down · 2 octaves up
· Original pitch · 2 octaves up + a major third
· One Fifth up · 3 octaves up
· 1 octave up · 4 octaves up
# Six unique expression modes are accessible via the Exp button, expression pedal and MIDI. Octave bends, step bends, volume control, user defined Wah-Wah, Filter control, plus two unique freeze modes: With Freeze Gliss, an expression pedal freezes a chord while letting you play over it having your frozen notes gliss to meet your new notes. The Freeze Volume freezes a chord allowing you to control its volume, with an expression pedal, as you play on top of it.
# An external “whammy” pedal and a momentary surface mounted Exp button, allow for real-time access and manipulation of all of the above expression modes. A new level of performance interaction.
# Dual Envelope generators that work with both the higher and lower frequency ranges. Allows unique contours of attack and release in two different harmonic regions.
# 12 dB per octave 2-pole low pass filter and resonance controls manipulate the tone while also being a critical element within the expression modes.
# Surface Foot access for True Bypass, expression control and envelope engagement.
# Store performance presets when you use the optional external Electro-Harmonix foot controller.
lien vers la notice pdf:
http://www.ehx.com/instruction(...)L.pdf
After extensive research into what made the 1970 Big Muff such a special and legendary pedal, Electro-Harmonix came up with a new addition to its Big Muff family: The Little Big Muff.
Housed in a compact, die-cast box with smooth corners, The Little Big Muff presents the classic, true-to-heritage, 1970 tone that falls somewhere between the current U.S. Big Muff and the Russian Big Muff. Its long, silky smooth sustain proves that celebrated sound can indeed come in small packages.
With a familiar control layout and a pedigree you can trust, this little brother kicks total butt.