Le matériel des guitaristes pro(s) - (Sommaire en page 1)

Pour interpol, edit...Ce que j'ai mis au dessus n'est as faux mais ce n'est plus leur set actuel. Ils changent souvent mais apparemment là c'est définitif.
Comme gratte, toujours pareil, mais niveua amplis c'est pas des deluxe reverb mais des Prosonic...Pour ceux qui doutaient de la qualité de ces amplis on peut être rassuré. Pour la basse y a aussi des jazz bass en plus des précisions.

OCEAN COLOUR SCENE

Steve Craddock :
Guitar:
- Epiphone Casino
- Rickenbacker 330 (gift from Paul Weller)
- Gibson ES-335 dot
- Gibson SG standard
- 2x Gibson Les Paul Goldtop reissue
- Green Gibson Les Paul custom w/ Duncan pickups

Effects (in this order):
- BOSS LS-2
- BOSS TR-2
- BOSS RV-3
- BOSS DD-1
- Crowther Hot Cake
- Dunlop Crybaby Wah

Amps:
- 2x JCM800 Lead series tops w/ 4x12 cabinets

Not used live:
- Danelectro U2 guitar (bought on a market in Birmingham)
- Vintage AMG-1 resonatorguitar (learned from Paul Weller)

Foxy:
Guitars:
- Takamine acoustic (dunno model)
- Epiphone Casino (cherry red)

Amp:
- Mesa Boogie Mark 1

LENNY KRAVITZ

Et un rack, un !

ANDY TIMMONS

En 2004 :

line6!line6!line6!

Un mythe s'effondre.

JETHRO TULL

En 2003 :

QUEEN

Plus ou moins déjà posté, mais abordé par monsieur Pete Cornish himself :

http://www.petecornish.co.uk/queen.html

YES

Le matériel de Steve Howe en 2003 :

STEVE STEVENS

Une interview intéressante :

http://www.guitar.com/cda/Colu(...)00000

TRAVIS

Ca doit dater de 2 ou 3 ans.

Guitar.com: What kind of studio set up do you have?

Dunlop: For the majority of everything, I only use two guitars -- the ’72 Les Paul the 330 from ’62. Live, I use a 12-string as well, but that’s about it. Most of the second album is all Les Paul, and most of the first album is the 330. The 330 is better for the rock tracks because you can get some great feedback out of it.

Guitar.com: Isn’t the Les Paul more traditionally thought of as a hard rock instrument?

Dunlop: Les Pauls are great, but when you want to get a huge feedback solo, for something like “All I Wanna Do is Rock,” the 330 is incredible. You just face the amp and you’re off in this world of feedback. But it’s quite controllable as well. And with the 330, I usually use the Big Muff pedal as well.

Guitar.com: What about amps?

Dunlop: I use Orange heads and a vintage Marshall cabinet. I’ve been through a few of them. I tend to blow them because I play very loud with lots of feedback.

Guitar.com: Do you use many effects?

Dunlop: I just got one of those Line 6 digital delay pedals, and it’s great. It’s got the samples on it, so if you’re double tracking guitars, you can feed in samples for bits of the song. That’s great. Also, I’ve got a Boss digital delay plus a pitchshifter, which I use for songs like “Driftwood.” And I use the pitchshifter on “The Line is Fine” and at the end of “The Fear.” But the Big Muff is the pedal I couldn’t live without. It’s brilliant for solos. Other than that, I’ve got a Dunlop wah, which I use sparingly. I’m not a big fan of wah pedals, but in the right context it can be alright. But I’ve heard it from so many bands, it’s just too familiar a sound. And then, I’ve got a Rotovibe as well, which I use for “Luv” and “Turn.”

Et vous savez qu'est ce c'est la gratte du monsieur ?
Une BIG APPLE... Je croyais bien être le seul en envoir une !!!!

Vous connaissez les Amplis utilisés par After Forever?

AXEL RUDI PELL

http://www.axel-rudi-pell.de/e(...)t.htm

- Marshall 100 Watt and 50 Watt Heads with Master Volume

- Ibanez Tube Screamer

- Cry Baby Wah-Wah

- Rocktron Intellifex Multieffect 19 "

- Samson UHF Wireless System 19 "

- Fender Stratocaster and custom built ESP Guitars

- Dean Markley and GHS Strings 009 - 042

- 1.5 mm Jim Dunlop Guitar picks with printed A.R.P. logo in white

- Peavey Triple XXX guitar amp

CHRIS POLAND

Du temps de Megadeth :

"Guitar.com: Which guitars did you favor while in Megadeth?

Poland: I had B.C. Rich guitars and a lot of times I would use Neal Moser's preamp that was in that guitar. It was built in. I was always using a Rockman into Marshalls for my effects. I had the little portable Rockman headphone amp and I would run a cable out of the headphone jack and into the front of the Marshall. It would really hit the front end of the Marshall, so I was getting like double the gain there, and then I was also getting additional gain from the preamp off the B.C. Rich guitar. So it was a searing tone. The sound was almost synthesizer-like and it had so much sustain. Later I started using the rackmount version of the Rockman and I stopped using the onboard preamp. It seemed like I was getting more guitar response and more touch response from my picking hand because there wasn't so much gain."