Le matériel des guitaristes pro(s) - (Sommaire en page 1)

Puisque j'ai mis ça dans un autre topic :

JUDAS PRIEST

Le matériel 70/80 :

http://members.firstinter.net/(...).html

K.K.Downing

_ 1964 Gibson Flying V Limited Edition with Gibson PAF pickups
_ 1970 Gibson Flying V with Maestro vibrato bar
_ 2 Fender Stratocasters (a white 1969 with left-handed neck and a sunburst 1970-71)
_ Pete Cornish custom pedalboard with a Cry Baby wah-wah, Roland Space Echo RE201, MXR Phase 100, MXR distortion unit, Pete Cornish fuzz box, +10 db gain boost and overdrive unit, line boosters between each effect to preserve the signal from input to output, and a RangeMaster-based custom treble boost connected to the bass channel of Marshall 50 and 100 watt heads with no master volumes
_ Rat distortion pedal
_ Boss Turbo pedal
_ Schaffer-Vega and Nady wireless systems


Glenn Tipton :

_ Customized Fender Stratocaster with DiMarzio Super Distortion pickups
_ 1961 Fender Stratocaster all-original, except sunburst finish was refinished in black
_ Gibson SG Standard innards with smaller SG Special neck, mirror pickguard, and stock PAF humbucker pickups
_ Gibson Les Paul with PAF humbucker pickups
_ Pete Cornish custom pedalboard with overdrive unit, flanger, MXR distortion unit, MXR Phase 100, MXR digital delay, MXR 12-band EQ, Maestro Echoplex, line boosters between each effect to preserve the signal from input to output, and a RangeMaster-based custom treble boost connected to the bass channel of Marshall 50 and 100 watt heads with no master volume
_ Roland Chorus pedal

AIMEE MANN

(et son groupe, en live)

When performing, Aimee Mann favors a Gibson J160 acoustic (circa 1954) outfitted with a Sunrise pickup. She also plays a Framus bass and a Fender Precision. Her vocal mic of choice is an Audio-Technica ATM61HE. (The other vocalists in the band use ATM61HEs, too.)

Michael Penn's main live axe is a Gibson J45 Mahogany Custom (reissue) with a Sunrise pickup.

Lead guitarist Michael Lockwood carries a small arsenal of guitars including a '65 Epiphone Sheraton, an Epiphone Rivera, a Gibson Les Paul, and a Fender Custom Shop B-Bender Telecaster. He uses an old Ampeg 1×12 Jet amplifier, as well as a Cordovox rotating speaker cabinet powered by a Vox Pathfinder amp. For effects, he has a Dave Friedman custom pedal board that houses an Ibanez fuzz wah; a Digitech Whammy pedal; a Klon Centaur overdrive pedal; an Ernie Ball volume pedal; a Boss PN-2 tremolo-pan pedal; a Boss FZ-3 fuzz pedal; a Boss DM-1 analog delay; and four Z-Vex pedals: a Seekwah, a Fuzz Factory, a Machine, and a Super Hard On.

coucou , personne saudrait quel matos utilisait Lynyrd Skynyrd? merci

JOHN PETRUCCI

Le matériel utilisé pour sa participation au G3 en 2001 :



+ 2 baffles boogie 4X12

Par terre : un pédalier CAE RS-10 simple + 1 pédale de volume/expression ernie-ball.

MODEST MOUSE

Isaac Brock

Boss White Tuner
Boss PS-5 Pitch Shifter
Boss Blues Driver
SIB! Echodrive
Boss DD-5
SIB! Echodrive
Z. Vex Super-duper-2 in 1
Z. Vex Seek Trem
Some kind of red splitter box, not Morely (2 or 3 way)

Guitars used: Wicha, Telecaster Thinline (Semi-hollow)

Amps used: 2 Fender Super Six Reverb amps (Silver Face)

LYNYRD SKYNYRD

When Skynyrd guitarist Gary Rossington performs "Free Bird" these days, he plays his original cherry '61 Gibson Les Paul/SG Standard with side-pull vibrato. He plugs his guitar directly into the rig he has used since the '70s: a Peavey Mace amp head and a Peavey 4x12 cabinet (with the back removed to produce a more open sound) loaded with JBL speakers. This very same rig survived the tragic plane crash that claimed the lives of Skynyrd singer Ronnie Van Zant, guitarist Steve Gaines, and singer Cassie Gaines.

MICHAEL SCHENKER

Matériel récent

http://www.flying-v.ch/ collections Michael Schenkers guitars







Guitar int Cry baby wah wah (with white plastic lining at the bottom)
wah to Marshall in
Marshall send to Boss chorus
Boss chorus to Boss digital delay
Boss digital delay to Boss digital reverb
Boss digital reverb back to Marshall return

il faut me le dire si je suis lourd!!!!!!!!!!

Tu es lourd

Beck and Todd use Gibson Les Paul Studios with EMG pickups (neck : 85 ; bridge :81); they occasionally will switch with ESP Custom Eclipses (with emg) or Fenders. Todd runs his guitar through a Mesa/Boogie Dual Rectifier head and Mesa/Boogie 4x12 cabinets and Beck runs his through a Peavey 5150 head and Marshall 4x12 cabinets with the famous red XXX. The bassist, whoever he may be at the time you are reading this, uses a Fender Precision bass.

Et datant de 2002 :

Weinstock: “I’m using a Les Paul Classic right now, and I have a Les Paul Studio Light. I use a Bogner head, the Uberschall. I just got it about a month ago, and I dig it a lot. I’d been using a Mesa for the whole time before that, and I liked it, but I didn’t like it. I didn’t really know where else to go; everything I tried, it wasn’t really up to par. But the Bogner kicked my ass.”

Beck: “I use a Les Paul Classic and a Hughes & Kettner amp. Pedal-wise, I’m using a Line 6 delay modeler.”


Et ça aussi :

As for effects, both Beck and Todd use a Moogerfooger Lowpass Filter, Analog Delay, and Ring Modulator. Beck uses a Line 6 Delay modeler, filter modeler, and modulation modeler. He also has a Dunlop Jimi Hendrix wah,and an Electro-Harmonix Small Stone Phase Shifter. Todd uses a Visual Sound H20 Liquid Chorus and Echo, and an Electro Harmonix Micro Synthesizer.

merki!!

Est qu'il y a, ou est-ce qu'il y a déja eu un p'tit truc sur At the drive in/Mars volta ??

sommaire en page 1

Bon, je te le dis, ça se passe pages 6, 97 et 100.

matos du groupe ETHS

• Basse [Roswell]

- Tête d'ampli Ampeg svt 3 pro
- Colonne ampeg 8x10
- Basse Cort série artisan A5
- Basse Ibanez sr3005
- Pédale de compression EBS
- Système hf AKG


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• Batterie [Guillaume]

- Gretsch Renown Mapple 10, 12, 14, 16, équipés de peaux Remo Emperor sablées en frappe et Remo Ambassador clear en résonance
- 22 * 18 evans EQ3 en frappe et EQ3 noire percée en résonance
- Caisses claires : Gretsch Renown Mapple 14 ou Pearl free floating cuivre rouge emperor X en frappe et ambassador timbre
- Crash Zildjian 20, 17 Z Medium
- Ride Zildjian K 20
- Splash Zildjian K 8
- Zilbell Zildjian 6
- China Thrash Oriental Zildjian 18
- Ribbon Crasher
- Double pédale Pearl Eliminator à courroie
- Pied de Charleston Pearl Eliminator
- Pieds et accessoires Gibraltar
- 2 pads Yamaha
- Baguettes Vater signature Virgil Donati's Assault + grip





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• Guitare [Staif]

Accordage : B - F# - B - E - G# - C#

- Accordeur : Korg DTR 1000
- Amplification : JMP-1 Marshall (pré-amp) & Fifty-fifty Mesa Boogie (amp)
- Baffle : Marshall 1960 pan droit
- Controller midi MFC 10 Yamaha

Effets :

- Pédale de volume Morley Pro série
- Wha-Wha Cry Baby Dunlop
- Chorus Small Clone Electro Harmonix
- Phaser Small Stone Russia Electro Harmonix
- Flanger FL-9 Maxon
- Delay DL-4 Line 6
- Tremolo Pulsar Electro Harmonix
- True Bypass Box Banzaï
- Multi effets VF-1 Boss
- Electro-Harmonix Octave Multiplexer

Guitares :

Les deux sont équipées de micros manche Benedetti et chevalet Seymour Duncan Jeff Beck
- LKV Guitare barython modèle Staif-eths
- Gibson SG special - Customisé LKV diapason rallongé


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• Guitare [Greg]

- Accordeur : Korg DTR 1000
- Amplification : Peavy 5150 II
- Baffle : Marshall JCM 900 pan coupé

Effets :

- Pédale de volume Morley optique
- Wha-Wha Vox (V847)
- Chorus Maxon (CS-9 Pro)
- Phaser MXR Phase 100
- Flanger Boss
- Delay Giga delay Boss (DD-20)
- Noise Supressor Boss
- True Bypass Box Banzaï
- Reverb Holy Gray Electro Harmonix

Guitare :

LKV 7 cordes barython modèle Greg-eths


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• Samples

ES-1 Korg
SP-303 Boss
MX-606 Behringer

STEVE VAI

It’s simple. For guitars, I used Evo and Flo, which are my main Ibanez Jems. The cable out of my guitar goes into a Boss DS-1 Overdrive and Bad Horsie wah wah, then into a Carvin Legacy amp, then the send goes into a rackmounted Digitech Whammy pedal, then I went into a Morley Little Alligator volume pedal, out of that and into a TC Electronic G-Force which was split in stereo and returned into the main Legacy and another Legacy, and out to power two Carvin 4x12 cabinets. For the triple-neck, there are three separate outputs. The fretless neck went into the jam rig, which is just a Legacy rig with an MXR phase shifter and some delay, and then a Bad Horsie and an Ibanez Tube Screamer. Out of the effects loop in the back of that rig, was a Boss digital delay pedal. The fretless 6-string neck was tuned to an E2 chord — E, B, F#, G#, B, E. The middle neck, which is the main neck, went through my regular rig and was tuned standard. The 12-string neck went direct into an Eventide H3000 with a setting I had built which had all these reverse clustered harmonic overtones with delays and stuff. That just went stereo into the console. The 12-string neck was tuned to an F# major chord.

the ds1 is use to boost the dist channel during the solo.
the dist channel has not enough gain because steve use the volume of is guitar toclean up the dist sound of the amp.
never use compression at high volume. it kill the sound.
when you play at high volume a natural compression comes.

JEFF TYSON

Epoque T-Ride:




Et maintenant, il s'appelle Geoff Tyson : http://www.essentialguitarist.(...).html

JEAN-LOUIS AUBERT

Son matériel sur sa dernière tournée :