Le matériel des guitaristes pro(s) - (Sommaire en page 1)

De bas en haut je dirais :

_ peavey 5150
_ alesis quadraverb
_ rolls patch
_ ampli de puissance crown
_ ?
_ 2 digitech valve fx
_ système wireless (sûrement un samson )

JOHNNY BUCKLAND

C'est le guitariste de Coldplay. Je ne sais pas de quand date cette photo, mais sachant qu'il utilisait un rack sur la dernière tournée, je dirais que ça date de la première tournée :

KIKO LOUREIRO

Guitares électriques

Tagima K1 Model 2003
Body:Cedro with lower cut joint neck
Fingerboard: 27-Frets with abalone pearl dots markders
Neck: Marfim
Hardware: Chrome
Bridge: Floyd Rose Gotoh
Tuners: Gotoh
Pickups: 1-Humbucker original parallel axis / 1-Hot rail seymour duncan pickups
Controls: 3-Way switch with with push-pull 1-vol / 1-tone
Headmachines: Die cast

Tagima K1 Model 1991
Body:Cedro with lower cut joint neck
Fingerboard: 27-Frets with abalone pearl dots markders
Neck: Marfim
Hardware: Chrome
Bridge: Floyd Rose Gotoh
Tuners: Gotoh
Pickups: 1-Humbucker original parallel axis / 1-Hot rail seymour duncan pickups
Controls: 3-Way switch with with push-pull 1-vol / 1-tone
Headmachines: Die cast

Tagima K1 Model 2001
Body:Cedro with lower cut joint neck
Neck: Marfim
Fretboard: 27-Frets with abalone pearl dots markders
Hardware: Chrome
Bridge: Floyd Rose Gotoh
Tuners: Gotoh
Pickups: 1-Humbucker original parallel axis / 1-Hot rail seymour duncan pickups
Controls: 3-Way switch with with push-pull 1-vol / 1-tone
Headmachines: Die cast

Tagima 635 Made in Brasil
Body: Ash
Neck: Maple
Fretboard: Rosewood
Hardware: Tonezone - 2 Fasttrack - Dimarzio
Bridge: Wilkinson
Tuners: Gotoh

Tagima 635 Made in Brasil
Body: Marupá Wood
Neck: Ivory
Fretboard: Ivory
Hardware: Fasttrack - Dimarzio
Bridge: Gotoh Floyd Rose
Tuners: Gotoh

Tagima Baby
Body: Marupá Wood
Neck: Marupá Wood
Fretboard: Rosewood
Hardware: Tagima
Bridge: Tagima
Tuners: Tagima

Tagima 505
Body:Mahogany
Neck: Ivory
Fretboard: Rosewood
Hardware: JB - Seymour Duncan e Seymour Duncan Tele
Bridge: Gotoh
Tuners: Gotoh

Stafford Kiko Loureiro Model
Body: Mahogany
Neck: Ebony
Hardware:JB - Seymour Duncan; Sttaford
Bridge: Wilkinson
Stafford - Ryujin
Body: Aluminum
Neck: Ebony
Hardware: Stafford
Bridge: Stafford

Stafford - Kiko Loureiro Model
Body: Mahogany
Neck: Ebony
Hardware: JB - Seymour Duncan; Stafford
Bridge: Wilkinson
Stafford - Kiko Loureiro Model
Body: Mahogany
Neck: Ebony
Hardware: JB - Seymour Duncan; Stafford
Bridge: Wilkinson

Stafford - Strato
Body: Ash
Neck: Ash
Hardware: Stafford
Bridge: Stafford
Stafford Classic Guitar
Body: Mahogany
Neck: Jacarandá
Hardware: Humbucking - Stafford
Bridge: Stafford

Stafford Mariner
Body: Ash
Neck: Jacarandá
Hardware: Stafford
Bridge: Stafford
ESP Horizon
Body: Mahogany
Neck: Ebony
Hardware: JB - Seymour Duncan; Hot Rails - Seymour Duncan
Bridge: Floyd Rose Original

ESP Horizon
Body: Mahogany
Neck: Ebony
Hardware: Trembucker - Hot Rails - Seymour Duncan
Bridge: Floyd Rose Original

ESP 7 Strings
Body: Mahogany
Neck: Ebony
Hardware: JB - Seymour Duncan; Hot Rails - Seymour Duncan
Bridge: Floyd Rose Original

Gibson CustomShop 1957 Goldtop
Body: Mahogany
Neck: Mahogany
Fretboard: Rosewood
Hardware: Gibson
Bridge: Gibson
Tuners: Gibson

Guitares accoustiques

Takamine EF 385x
Body: Mahogany
Neck: Mahogany
Fretboard: Rosewood

Takamine EsF 45c
Body: Rosewood
Neck: Mahogany
Fretboard: Rosewood

Takamine Naylon CP132SC
Body: Rosewood
Neck: Maple
Fretboard: Rosewood

Stafford
Body: Rosewood
Neck: Maple
Fretboard: Rosewood

Tagima Kiko Loureiro Model
Body: Rosewood
Neck: Maple
Fretboard: Rosewood

Amplis

LANEY VU100R
CAIXA LANEY 4X12
LANEY VC50
FENDER twin
METEORO MHA 900

Effets

ZOOM - Power Drive PD-01
ZOOM - 510
ZOOM - 509
ZOOM - GFX4
ONNER - Nitrogen, Carbon-X e Nickel Octave
MXR - Phase 90
MXR - Dynacomp
ROGER MAYER - Voodoo Vibe
MORLEY - Badhorsie
IBANEZ - Tube Screamer
IBANEZ - Rotary Chorus RC99
BOSS - Line Selector LS-2
BOSS - Power Drive PW-2
BOSS - Chorus Ensemble CE-5
BOSS - Digital Delay DD-3
BOSS - OverDrive / Distortion OS-2
BOSS - Distortion DS-1
BOSS - Noise Suppressor NS-2
BOSS - Digital Sampler Delay DSD-3

Pour les photos : http://www.kikoloureiro.com.br/ english gear

On continue :

ANGRA

période Holy land

C'est en portugais, mais je pense que le principal est compréhensible par tous.

Kiko Loureiro

Guitarra - Washburn N4 Sunburst, MG Flames Mapple Top, Riujyn Aluminium, Gibson Les Paul.
Violão - Washburn EA36, Washburn CE995 Nylon.
Amplificador - Marshall JCM 900/Slash Model, Eng. Savage/20.
Speakers - Marshall cabinets JCM900.
Efeitos - A/B Footswitch Boss, Overdrive Boss, Distorsion Bossm, Zoom 9050, Wah Wah Morley.
Corda - Escala 0,10 - 0,46 Earnie Ball.
Palheta - 1,19 mm Earnie Ball.

Rafael Bittencourt

SET 1 - Afinador Korg DTR-1, Controlador Midi Boss FC-50, Pre-Amp Marshall JMP-1, Marshall 9200, Marshall Cabinet JCM 900, e Marshall JCM 900, além de uma TRS-12 da Digitech.
SET 2 - Idêntico ao primeiro, apenas substituindo o JMP-1 por Trio, da Groove Tubes, e o 9200, por um Dual 75, tambem da Groove.
SET 3 - Afinador DTR-1 da Korg, um pedal seletor de linha (Boss LS-2), um pedal de distorção (Boss SD-1 ou Tube screamer da Ibanez), um seletor de canais Marshall, Duas caixas Lead 1900, uma digitech TRS-12, um ampli JCM 900 da Marshall (solo e som limpo), e o JCM Slash da Marshall (Base).

une photo du Power baby II
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et ses grattes principales
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Plus une photo, pas terrible de son set de pédales dans les 90's

MARS VOLTA

Matériel actuel :

FIREHOUSE

MG: As a guitar player, you have a very unique sound. Tell me a little about your sound. What kind of equipment do you prefer to use? Is there one particular piece that you can't live without?
BL: Right now on the road I have a very simple setup. I'm using a Rivera M-100 head for my main tone. I go line out into a GCX and feed an SPX-900 (for delay only), which goes into a Rane mixer, which has an effects send and return, which goes to an Alesis Quadraverb (set for a dark reverb sound). I feed a little bit of my dry sound and the delay into that verb through the mixer. I usually use a tube screamer and the delay/verb for solos, not rhythms. I'm using an All Access pedal to switch. I keep a lot more gear in my studio because the road beats the crap out of everything. Since we're doing many fly-out dates where the promoter provides backline gear, I've just gotten a Lexicon MPX-G1 and the R-1 foot controller. This is a fantastic system for flying in with a rack that can fit in the overhead compartment. In the studio, I've recorded layers and layers of rhythm tracks to get that huge sound. People e-mail me all the time asking me how they can get the sound from the first and second albums, and I tell them that you need to record the exact same thing 6-8 times with different amps. I recorded stereo pairs of mid 70's Marshall, Pre CBS Bassman, Soldano, and Music Man (all tube) amps panned hard left and right. I triple-tracked the solos on the first album, and single-tracked all solos ever since. In the studio, I record everything dry with the guitar plugged directly into the head with the exception of an occasional Tube Screamer. I use close mic'ing with an SM-57 or Akg-421.

MG: How many guitars do you own? Name a few.
BL: My equipment and sound is constantly changing. One element has been the same for the past 11 years, and that is my guitar: The Yamaha Pacifica. I've got several of them and I love them all for their tone and ease of playing. Right now I'm playing a Pacifica Custom which is available only in Japan. It was designed after a guitar that I had Yamaha make me at the custom shop: mahogany body, flame maple top, Warmouth compound radius neck, Seymour Duncan pickups, (JB in the bridge position, the rest stock) and I've never been happier with any guitar I've ever owned. I play it on every song on the live album except for "Here For You" where I play the Yamaha CPX-15... the greatest acoustic/electric ever made!!! I can't say enough good things about Yamaha guitars. I also have a couple of "collectibles" like a 1965 Fender Strat and a late '90's mint condition Les Paul 60's Classic Plus. I don't play these guitars at all. I also have a banjo, mandolin, guitarelele, and a Yamaha Attitude Bass. I own about 15 guitars total.

JEFF BECK

Le matériel pour guitar shop (retrouvé dans une vieux mag) :

_ 3 strat fender
_ 2 marshall star
_ 1 fender twin
_ 1 pédale de boost
_ yamaha REV-7
_ yamaha SPX-90
_ une autre yamaha (le modèle )

ADRIAN VANDENBERG

http://www.euronet.nl/~wat/fra(...).html equipment

Guitargeek nous donne ça pour 1997, sans doute pas trop mauvais :

PACO DE LUCIA

Paco de Lucia began playing flamenca negra guitars in concert long ago and has helped to popularize them among young flamenco concert artists. Traditional flamenco guitars are made of Spanish cypress. They're set up with very low action, and their necks are slanted slightly backward, creating a subtle fret buzz. These design details afford flamenco guitarists a bright, penetrating sound that is ideal for cutting through the sound of the singers and dancers. A flamenca negra is constructed and set up like a traditional flamenco guitar but has rosewood back and sides, like a classical guitar, giving the sound more depth and complexity.
De Lucia's touring guitars are built by the Conde brothers (Hermanos Conde) of Madrid, Spain (Calle Gravina 7, Madrid 28004, Spain). They learned their craft from one of the greats of the flamenco guitar-making tradition, Domingo Esteso.
De Lucia also has two instruments (both negras) made by American luthier Lester DeVoe (Long Look Farm, 568 Paris Hill Rd., South Paris, ME 04281; [207] 743-9764). One has Indian rosewood back and sides and friction-peg tuners, and the other is made of Brazilian rosewood and has geared tuning machines. Both have German spruce tops. De Lucia played the Indian rosewood instrument in the films Don Juan DeMarco and Saura's Carmen, as well as on a couple of recordings, including the one he is currently working on.
De Lucia uses Luthier strings (Luthier Music Corp., 341 W. 44th St., New York, NY 10036; [212] 397-603. He treats his fingernails with varnish and his thumbnail with Kleenex and Krazy Glue.
--Guillermo Juan Christie

1000ème réponse

Pour la peine, l'historique du matériel (effets surtout) de MALMSTEEN:

En 84:



En 85:



En 92:



En 96 :



En98 :



Et

http://yngwie.org/equipment/di(...).html

happy birthday.... :C1:

Merci lemg pour le décriptage ! Et au passage aussi pour ce petit historique bien sympa!

Au fait, sur les descriptifs du matos de Yngwie, que ce soit dans les booklets de ses albums, dans les magasines ou sur le net, il est réputé pour utiliser une "pédale" appellée, si mes souvenirs sont exacts, "Taurus bass pedal". D'apres un schema que j'avais vu ça ressemblait à un pedalier avec des pedales genre piano qui depassent. Hors je n'ai jamais vu cet effet dans les diverses photos et videos live du maître. A quoi cela sert-il exactement, et quel son à ce machin ?

Merci pour ceux qui pourront me renseigner ! (peut-être un nouveau défit pour toi lemg ? ).

Alors je crois que c'est Moog qui fabriquait cet engin. Ca a la forme d'un pédalier d'orgue et ça sert à la même chose :
balancer des basses, des nappes etc...Peut être que le modèle de gwygwie fonctionne comme un controleur midi, sait-on jamais, mais bon ce truc sert à jouer de l'orgue (basse en général) avec les peids pendant qu'on joue de la gratte ou du piano ou d'autre chose.
Voilà...

Page 1 de ce topic, il y a cette photo :



FATAR BASS PEDALS
These are connected to the E-MU Vintage Keys Module in the rack and allow Yngwie to hold sustained bass notes. These can be heard in his live solo spots. Previously Yngwie used the classic Taurus bass pedals as well as Roland equivalents.

désolé j'avais pas vu...mais merci quand même!