Le matériel des guitaristes pro(s) - (Sommaire en page 1)

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jklm
  • jklm
  • Special Top utilisateur
jklm
  • jklm
  • Special Top utilisateur
lemg
  • lemg
  • Vintage Ultra utilisateur
  • #1113
  • Publié par
    lemg
    le 20 Mar 2005, 15:36
NICKELBACK

Matériel live - 2002

#Chad Kroeger: lead vocals, lead guitars
PRS guitars (6 — in drop B, drop C, and drop D tunings)
Mesa/Boogie Triple Rectifier heads (2)
Marshall 4×12 cabinets (2)
Mesa/Boogie 4×12 cabinets (2)
Fender Twin Reverb
Dunlop HT-1 Heil Talk Box (customized)
Boss LS-2 line selector
Sennheiser wireless system
Shure Beta 58 vocal mic (wireless)
Shure U4-D wireless receiver (for vocal mic)
Cabinet mics: Sennheiser MD 409 (2: 1 on each stack), Shure SM57 (on Fender Twin)
Ultimate Ears in-ear monitors with Shure PSM
700 hardware

#Mike Kroeger: bass
Warwick five-string basses with EMG pickups (2)
Spector five-string with EMG pickups (2)
Mesa/Boogie M2000 heads (2)
Mesa/Boogie 8×10 cabinets (2)
Mesa/Boogie 4×10 cabinet Tech-21 Sans Amp PSA-1
Sennheiser wireless system
Cabinet mic: Sennheiser MD 421
Ultimate Ears in-ear monitors with Shure PSM 700 hardware

#Ryan Peake: guitar, background vocals
Gibson ES-135 with EMG pickups (2)
Fender Telecaster with EMG pickups (all guitars tuned down to B, C, and D tunings)
Mesa/Boogie Triple Rectifier heads (2)
Marshall 4×12 cabinets (2)
Mesa/Boogie 4×12 cabinets (2)
Fender Twin Reverb
Vox AC30
Vox Wah
Boss LS-2 Line Selector
Boss DD-3 Digital Delay
Boss OC-2 Octave
Shure Beta 58 vocal mic (wireless)
Shure U4-D wireless receiver (for vocal mic)
Sennheiser wireless system
Cabinet mics: Sennheiser MD 409 (2, 1 on each stack), Shure SM57 (on Fender Twin)
Ultimate Ears in-ear monitors with Shure PSM 700 hardware

#Ryan “Nik” Vikedal: drums
Ayotte drums:
24" kick
14" snare
10" snare
10" and 12" rack toms
16" and 18" floor toms

Zildjian cymbals:
13" hi-hat
15" hi-hat (used on opposite side, always closed)
16", 17", 18", 19", and 20" medium crashes
22" ride
14" and 17" Mini-China crashes
6", 8", and 12" splashes
Tama hardware

Kit mics:
Kick: Shure SM91 and AKG D-112
Snare: Shure SM57 (top), Shure SM57 (bottom)
Overheads: Shure SM91 (2)
Toms: Shure Beta 98 clip-on mic
Ultimate Ears in-ear monitors with Shure PSM 700 hardware
cdmat76
  • cdmat76
  • Vintage Total utilisateur
Et hop, Hot Tuna en set acoustique à Nice Samedi soir z'avaient :

Jorma Kaukonen : une electroacoustique Gibson qui ressemblait comme 2 gouttes d'eau à une J-190 EC Super Fusion
http://montana.gibson.com/guit(...).html
, en version noire. Boss TU2 , pédale de volume FV-50H.

Jack Casady : son modèle signature epiphone, Boss TU2, sur tête ampeg (type classic heads http://www.ampeg.com/ ) + baffle ampeg (style SVT1.

Barry Mitterhoff, une mandoline qui ressemblait bien à celle que l'on trouve sur le site Gibson
http://www.gibson.com/products(...).html (pour le modèle désolé, je suis pas spécialiste en mandoline ) , un truc qui ressemblait à une Gibson L7C, mais avec seulement 4 cordes... et un petit accordeur en platoc gris comme on en trouve dans le commerce à 30 Euros.

Pour Kaukonen et Mitterhoff, les amplis ressemblait à des Trace Elliot TA 100R, pas sûr à 100%, mais en tout cas, ils avaient le même
lemg
  • lemg
  • Vintage Ultra utilisateur
  • #1117
  • Publié par
    lemg
    le 21 Mar 2005, 12:47
BILLY GIBBONS

Résonnez hautbois, sonnez trompettes, voici des photos de son matériel live actuel dans cet article :
http://www.online-discussion.c(...)8#658


Louis Vuitton power !





"Yes, the usual array… Taking advantage of an onboard FX loop, the lineup features a delay, some form of Flanger, a very old ring modulator by Maestro, the ‘50s Rowe tremolo control from DeArmond, and now, Mr. Elwood’s fave, the newly recreated foXX Tone machine. Wacky sound, that thing! "

Une idée du câblage avec son précédent système

lemg
  • lemg
  • Vintage Ultra utilisateur
  • #1118
  • Publié par
    lemg
    le 21 Mar 2005, 14:34
MOGWAI


#STUART BRAITHWAITE

Guitars:
Danelectro Bass
Fender Telecaster Deluxe w/ Seymour Duncan middle pickup
Gibson Les Paul Studio
Gretsch 1977 Super Axe

Amps:
Fender Twin Reverb
Marshall JCM 900 head
Marshall Super Bass head
Marshall 4x12 cabinets
Mesa Boogie 4x12 cabinet
Mesa Boogie 2x12 amp

Effects:
Danelectro Fab Tone
Danelectro Fish & Chips Equaliser
Electro Harmonix US Big Muff Pi
Electro Harmonix Deluxe Memory Man
Electro Harmonix Micro Synthesizer
Electro Harmonix Q-Tron
Ibanez DL-5 Digital Delay
BOSS LS-2 Line Selector
BOSS NS-2 Noise Suppressor
BOSS RV-3 Digital Reverb/Delay
Colorsound Tremolo
Jim Dunlop Crybaby
Jim Dunlop JD-4S Rotovibe
Jim Dunlop TVP-1 Volume/Tremolo
Morley Bad Horsie Wah
Prescription Electronics Experience
Snarling Dogs Whine-O-Wah


#JOHN CUMMINGS

Guitars:
Fender Bass VI
Fender American Standard Telecaster
Fender Jaguar
Fender Stratocaster
(2) Fender '72 Telecaster Custom

Amps:
Marshall JCM 900 head
Marshall 4x12 cabinets
Mesa/Boogie 4x12 cabinets
Mesa/Boogie Dual Rectifier head

Effects:
BOSS DD-5 Digital Delay
Boss LS-2 Line Selector
Crowthers Audio Hotcake
BOSS OS-2 Overdrive/Distortion
BOSS SD-1 Super Overdrive
Danelectro Fish & Chips Equaliser
DigiTech PDS 8000 Echo Plus
Electro Harmonix US Big Muff Pi
Electro Harmonix Frequency Analyser
Electro Harmonix Q-Tron +
Ibanez AFL Auto Filter
Ibanez PH-5 Phaser
Maxon CS550 Stereo Chorus
Pro Co Rat 2
Sherman Filterbank 2
Vox distortion pedal
Way Huge Swollen Pickle Jumbo Fuzz


#BARRY BURNS

Guitars:
Fender American Fat Strat
Fender Nashville Telecaster
Gibson SG
Gordon Smith 12-string SG

Amps:
Fender Twin Reverb
Marshall head
Marshall 4x12 cabinet
Orange head

Effects:
BOSS DD-3 Digital Delay
BOSS LS-2 Line Selector
BOSS RV-3 Digital Reverb/Delay
Danelectro Fish & Chips Equaliser
Electro Harmonix Big Muff Pi
Pro Co Rat 2
unidentified green Ibanez(?) pedal

Other:
Akai S5000 Sampler
Clavinova
Fender Rhodes stage piano
flute
Roland MC-505 Groove Box
Roland PC-180 Controller
Zoom ST224 SampleTrak

http://www.angelfire.com/indie(...).html

Le pédalier de Cummings :

Gabouel
  • Gabouel
  • Vintage Méga utilisateur
alalalalala! bobba va encore se mettre en colere parce qu'il fout ses multiprises et alims sur le pedalboard!

calme toi! bobba!
dis toi qu'il utilise peut etre la boucle d'effet....

(non meme pas en plus...)

bon bobba sort de ce topic!

Laughing Man
The Delgados

Emma:
amps
Marshall JCM900

effects pedals
Line 6 delay modeler

guitars
Fender Telecaster Deluxe
Fender Jazzmaster
Epiphone (unknown model) Japanese made - bought 2nd hand


Stewart:
amps
Ampeg SVTII PRO - it weighs a ton. Ampeg 8 x 12 Cabinet - it's wrecked because it has no flight case

bass
Rickenbacker Guitar - it's a nice wooden colour

effects pedals
MXR - micro amp - all you'll ever need.

guitars
Fender Precision
Laughing Man
Death cab for cutie

Ben Gibbard

Guitar
'85 Fender Bullet
'74 Fender Thinline Telecaster

Amp
Sears Silverstone twin twelve
Fender blues Junio 1x10

Effets:

Turborat distortion
Boss DD-3
Boss TR-2
Morley A/b box

Chris Walla

Guitar
Fender telecaster '52 re-issue
Gibson ES-335
Gibson L6-S

Amps
Fender HotRod

Effect
Fulltone fulldriver2
Fulltone Distorsion pro
Laughing Man
Joy Division


Gibson - as used by Warsaw (1977)
Gibson SG Standard (customized, "without Vibrola")
Shergold Custom Masquerader
VOX Phantom VI Special This is a variation on the famous VOX Phantom model

Citation:
Although it is likely that Sumner did most if not all guitar parts in studio, the singer's guitar playing allowed the increasing number of songs with both synthesizer and guitar, to be reproduced with full instrumentation in a live setting. Curtis often played a VOX Phantom guitar, his trademark "metallic" sound coming from its many built-in (battery powered) effects. A disturbing observation is that it is the only guitar in the world shaped as a coffin, the white colour makes this all the more obvious. Whether Curtis had this in mind when purchasing the guitar is anyone's guess. A more likely incentive is that Sterling Morrison had used a similar model for "Sister Ray" and other Velvet Underground classics, and also that these guitars were unfashionable (and thus affordable) in the late 1970s.




VOX "teardrop" model - correct name VOX Mark VI (unconfirmed)
+ guitar effects: Boss BF-2 flanger
+ amplifiers: Marshall / VOX

Citation:
Hooky's trademark sound is created in the main by an Electro-Harmonix Clone Theory effects pedal. On stage he uses two in his rack (one spare), with all identification removed.


Laughing Man
Explosions in the sky

GUITARS:

Mark plays a black Fender Toronado with standard Atomic Humbucker pickups. This model is sometimes confused with a Jaguar or Jazzmaster. Even though this "low budget" guitar is manufactured in Ensenada (Mexico), it is highly praised by musicians and critics alike.

Michael is the only one in the band who plays two different instruments onstage. He was using a tobacco sunburst Washburn XB-100 with standard pickups. Now his bass is a black OLP MM2. His guitar is a beautiful blue and white Ibanez Talman (unsure of the exact model), with standard "lipstick" pickups.

Munaf is the owner of a Lake Placid blue Fender Stratocaster (unspecified model). The pickups appear to be the standard single coil type. More recently he has been playing a Fender Telecaster that appears to be teal in color. Both instruments have been heavily decorated with a collage of cartoon strips, miscellaneous images and graffiti.



AMPLIFIERS:

Mark plays through a Fender '65 Twin Reverb Reissue.


Michael uses a Peavy T-Max bass head, along with an Ampeg SVT-410AV (4x10 cabinet).


Munaf plugs into a Fender Dual Showman head with a Fender 2x12 cabinet.


EFFECTS:

Mark sheds tears with an Electro-Harmonix Russian Big Muff, along with a Tech21 Sansamp GT-2. He also employs a Line 6 DL-4, an Arion Stage Tuner, and finally a Boss FV-50L volume pedal.


Michael rocks with an Ibanez Tube King, as well as a Boss DD-5 and an Arion Stage Tuner. It also appears that he is now using a MXR Distortion Plus, along with a Tech21 Sansamp GT-2 and a Boss RV-3.


Munaf makes magic with an Ibanez DE-7 and a Vox V830 Distortion Booster. He also uses an Boss TU-2 Chromatic Tuner in addition to a Tech21 Sansamp GT-2. Recently, the guitarist has been spotted using a Boss RV-3 Digital Reverb/Delay. An E-Bow and a small metal tube (he taps on the guitar strings) are some of the special tools he uses at key moments.
Laughing Man
The Psychedelic furs

John Aston

GIBSON LES PAUL ELECTRIC GUITAR
PAUL REED SMITH CUSTOM 24 ELECTRIC GUITAR
ZON STILETTO ELECTRIC GUITAR
1980S MUSICMAN SABRE MKII ELECTRIC GUITAR
1980S HAMER CUSTOM PROTO-TYPE ELECTRIC GUITAR

Gabouel
  • Gabouel
  • Vintage Méga utilisateur
belle participation!

En ce moment sur effet guitare...