lemg a écrit :
Son pédalier pour les concerts avec Police :
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Pour le chorus, je pense qu'il s'agit d'un boss mais pas sûr.
Pour le reste, echo, flanger, phaser (roxanne), disto, compresseur...
Tiré d'une interview de 1983 :
"Onstage I've been using the same set-up for about the last three years, which is two reworked, souped-up Marshall 100-watt tops, two 4x12 cabinets, (I'm not sure what the speakers are because my faithful roadie changes them all the time). I use them at about half-volume, with not a lot of presence. I also record occasionally with a Bolt amp. I also have a Peter Cornish custom-made pedalboard which contains an MXR Phase 90, an MXR analog delay, a Mutron III envelope follower, a fuzz, an Electro-Harmonix flanger and a Dyna-Comp compressor. I carry two echoplexes on tour, both of which are about fifteen years old. I combine the analog delay and the echoplex to get some double rhythm effects. The board has a master effects on and off button, so you can pre-program effects together without having any effects on, then just hit one button and have them all come on together.
I use a '63 sunburst Telecaster Custom, which has a Gibson pickup on it, and an overdrive pot installed in it, and I use a '61 Strat, a Hamer, and the Roland guitar synthesizer. I have the GR-303 guitar synthesizer, which I like better than the 808 guitar. I recently got a Gibson Chet Atkins electric classical guitar and used it on the new album. On Ghost In The Machine I used a Gibson 335, a Les Paul and Strat most of the time. The 335 has a slightly warmer sound. On some pieces I started to get a good sound with a compressor."
Un site avec des renseignements :
http://web.tiscali.it/andatta/menu.htm
Accessoirement :
https://www.guitariste.com/for(...).html
