Quelqu'un connait-il cette guitare ?

Bonjour tout le monde,

Un copain possède cette guitare et nous écumons internet, entre autres, pour avoir des renseignements sur cette guitare.

Ce que nous savons:

C'est une guitare italienne,

-MELODY GUITARS s.r.l.
-ITALY
-MOD. 270/DJ

Ce que aimerions savoir:

- L'essence du bois qui a été utilisé,
- L'année de fabrication.

Je vais essayer d mette des photos.

Merci pour vos réponses.














[Images éditées par John_Mac_Rigole]
John_Mac_Rigole
http://www.fetishguitars.com/h(...).html
Citation:

The Melody company was set up in 1961 in Potenza Picena, a small town only six miles from Recanati. Founding associates were: Stellio Pescetti, Mr Gerio (ex-accountant of the Marinucci company), Giuliano Gurini (formerly of Marinucci), Fernando Piatti (previously of La Clavietta, a subsidiary of Marinucci), and Mr Branko, a Yugoslav citizen who came from Eko (which reminds us of the relationship Eko's founder Oliviero Pigini had with the Slovenian maker Melodija Mengeš back in the 50's). As a whole, a well experienced team in guitar making.

Melody guitars from the sixties first half shared mostly the same hardware, electronics and general design as the early Crucianelli, Welson and especially Bartolini / Gemelli electrics, except that they never had any zero-fret — which was the right thing to do. There were very skilled people in the company. Melody introduced as soon as 1963 a neck adjustment system which was just like the "Micro Tilt Neck" patented by Fender seven years later!

In 1964-65 a powerful shareholder joined the company, Oliviero Pigini and his Eko group, who were looking for additional production capacities. Mr Branko stepped back. Melody became for all practical purposes an Eko subsidiary. Melody instruments were rebadged with an Eko logo, then the company manufactured virtually only Eko products. From 1969 on the Melody name was sporadically revived as a sub-brand of Eko to liquidate inventories of unsold instruments.

Finally, Eko withdrew in 1972 from the company's capital. Independent again, Melody dedicated itself to developing models of its own, mainly flat top acoustics that show a very strong and very logical influence from Eko. Then the electrics evolved more and more towards perfect copies of Gibson and Fender models, just like Gherson was doing at the same time.

Ironically, Melody managed to survive longer than its ex-parent company Eko. Following Eko's demise in 1983 its production manager Remo Serrangeli joined Melody, which remained in activity until 1988. If it was not for the long gap of 1964 through 1972, one could say that Melody was Italy's longest living guitar making company in modern times.


A mon avis, c'est clairement une guitare moderne et industrielle de l'ère post-Eko.
Donc, ne te fais pas d'illusion sur la qualité ou sur le prix. Tout ça est moyen.

En ce moment sur guitare acoustique et électro...